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Cyrus. Chapter 6: The Persians Revolt (Part 2)

08 Tuesday Sep 2009

Posted by Voice in Cyrus the Great: Chronicles

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The Median Empire

Before Picture: The Median Empire

By Theseustoo

When the defeat of the Median armies was reported to the astonished Astyages it struck him like a bolt from the blue; it seemed as if the Medes had all spontaneously decided that they had suffered too much at Astyages’ hands and had thus all simultaneously decided to join the Persian revolt.
Astyages was not unaware of their suffering; far from it; indeed he derived a great deal of personal pleasure from inflicting it; but he was very surprised that they had revolted; he had thought that they had been well and truly cowed into total submission to his god-given kingly authority; and that their spirits had been so completely broken to his will that they had not the courage to revolt. But even more surprising than this was the fact that his spies had not discovered the plot and reported it to him before now.
“What? My whole army turned tail and fled?” Astyages yelled incredulously as he heard the tale of the total rout of all his armies. No! It couldn’t be, he thought desperately to himself, it was impossible. How could his spies not have known there was something wrong? Were they ignorant of the plot, he wondered, or were they perhaps complicit in it?
He made a mental note to have all of his current spies executed and replaced. If they were ignorant of the plot, he thought, it must mean that they had been deliberately kept ignorant; and that in turn implied that his current spies must all be well known to everyone as such and thus useless as spies; those who had planned this revolt had easily avoided them. They should have known; the king thought to himself darkly; he should have been warned…
And what if they had known about the plot and had not reported it, he asked himself. That would mean they were complicit in it, and disloyal to their king; treasonous indeed. No, they were probably ignorant, he decided, or this terrified spy would not be here now, cowering in front of his master in fear for his very life, due to the nature of what he had just reported. This man knew only too well that messengers who were unfortunate enough to be the bearers of especially bad tidings were sometimes sacrificed in order to prevent the news from spreading panic among the populace and thus adding more chaos to the disaster. Yet he had brought the message in spite of the obvious danger to himself, the king realized; so Astyages decided to let this spy live; but only this one…
But Astyages was not about to give what remained of his city’s population any time to panic; decisive action, he knew, was the only thing which could possibly save his kingdom now… if anything could! As for this slave; if he killed him, he knew it would look as if he were trying to cover up bad news and may actually start a panic inadvertently. Yes, he thought, of all his spies, this one could keep his life, he decided; for the time being at least…
“Well it will give Cyrus no joy!” the king declared bitterly as, turning to the captain of his guards, he issued his orders,
“Call the Assembly; every available man still capable of using a weapon in this city is to arm himself with whatever he can and assemble to fight the Persians!”
As the guard captain nodded and left immediately to obey his king, Astyages next addressed the guards who were on duty on either side of the door and posted at regular intervals around the throne-room; and as he left the room he casually instructed them, “Guards; arrest these Magi and have them impaled in front of the city gates immediately!”
Perhaps for the first time in their about-to-be truncated lives the three Magi advisors were utterly speechless as the guards moved forward as one to surround the king’s former advisors, then seized them and dragged them, screaming inarticulate protests and kicking their legs in a desperate but futile attempt to resist; as, between them, the guards virtually carried the doomed astrologers to their unforeseen, untimely and most excruciating end.

*** ***** ***

Persian and Median infantry

The regular Persian and Median infantry: From the Circle of Ancient Iranian Studies website

Spurred on by Astyages’ own personal bodyguards, who now whipped them mercilessly into the fray; the people of Agbatana, now comprised mostly of old men and young boys armed with picks, hoes, mattocks, axes and other pieces of farming or kitchen equipment or perhaps an occasional piece of antique armour or weaponry; now put up only a little more resistance than had the Median armies to Cyrus’ forces. Meanwhile the women cowered in the city’s Temples, tying themselves to the altars with fragile wreaths of flowers; thus dedicating themselves as suppliants to their gods: Should their city be invaded and conquered, their conqueror must refrain from harming them or risk breaking one of the most ancient and sacred of all laws; the law of sanctuary; and thus risk incurring the wrath of the gods.
Yet despite their extremity and their terror of Astyages’ guards, many still deserted to the Persians as soon as they found an opportunity. The Persians, for their part, together with those Medians who had already deserted, encouraged their fellow-Medes not to fight but instead to throw down their weapons. Most of those who could obey their relatives within the ‘enemy’s’ ranks did as they were bid and surrendered; and they were immediately welcomed very warmly into the Persian ranks.
Those few Medes who still stubbornly resisted the Persian army, including most of Astyages’ own personal guard; and those few peasants who had not managed to avoid being forced to fight, were swiftly and utterly defeated. Although more blood was spilled on both sides in this battle than there had been in the first parody of a battle, the Medes were again defeated, utterly and absolutely. Finally realizing the pointlessness of opposing such overwhelming odds, even the remnant of the King’s bodyguard eventually capitulated, as Artembares finally held aloft a white rag tied to the end of a spear to indicate their submission.
Astyages was captured alive and at once enslaved; and as the blacksmith hammered the rivets into the iron chains which now imprisoned his hands and feet, he looked up to see Harpagus, his servant and Commander in Chief of all his armies, standing in front of him. Astyages was astonished when he saw that his minister was not enchained, but was walking freely among the enemy, who all hailed him as a hero as he passed. When Harpagus saw Astyages and the astonished expression on his face, he could not conceal his delight. In bantering tones, completely devoid of respect, the former servant now rudely addressed his former king, “Well then Astyages, how does it feel to be a slave?”
The defeated tyrant looked his tormentor in the eyes as he demanded bitterly, “Why do you claim the achievements of Cyrus as your own?”
“Because it was my letter which made him revolt; and so I am entitled to the credit for the whole enterprise” Harpagus replied smugly.
Astyages laughed even more bitterly when he heard this; then, with something resembling pity in his voice, he said, “In that case you are both the silliest and the most unjust of men: the silliest because when it was in your power to put the crown on your own head, you placed it on the head of another; the most unjust, because, on account of that supper you have brought slavery on the Medes, who were not to blame for it.”
Harpagus gasped in astonishment as Astyages continued, “…If you must put the crown on another’s head, rather than keep it for yourself, justice requires that a Mede, rather than a Persian, should have it. Now, however, the Medes are made slaves instead of lords, and the slaves moreover of those who, till recently, were their subjects. For a hundred and twenty-eight years Media has ruled all Asia east of the River Halys and now you hand her dominion over to the Persians!”

*** ***** ***

ABC of Cricket – the Voice from the Hill

09 Thursday Jul 2009

Posted by Voice in The Sports Bar

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On the way to the MCG, at the MCG and on the way home

On the way to the MCG, at the MCG and on the way home

As a young woman, the realization that in order to prosper in the workforce I needed to be able to talk about cricket came as a huge relief.

If you knew the extent of my lack of interest in the sport of cricket spectating, you might find this puzzling. It’s hard to pinpoint the cause of this militant lack of interest. It might be a female thing; it might be a reaction to my father’s seasonal lack of availability, or to his one-eyed barracking. My father was your archetypal one-sided sports fanatic. It was quite late in my childhood that I fully understood the role of the other team on the ground. Until then, listening to my father’s exclamations during the endless TV broadcasts, I thought the members of his team were the only actual players, battling blind umpires, unfavourable weather, or worse, the occasional unforced error, in an effort to claim their rightful title of match winner.

In any case, this early disaffection with the game of cricket was only reinforced as a University student, where endless discussion of cricket scores was lumped together in my mind with endless discussions about cars as uncouth “engineer’s talk”.

Fast forward a few years, and the burning ambition to be able to pay for food and rent found me working for a manufacturing company in a largely engineer dominated IT department. As the cricket season commenced I reflexively turned off whenever the inevitable discussions started. But I couldn’t help noticing that I was spending a lot of time talking to myself, and this was highlighted during a period of relative inactivity for my group, when half the day was spent arguing about cricket (and the other half perfecting the giant paper ball). It became painfully obvious at a farewell for one of our group, where the others bonded with management over a cricket discussion while I found myself a lonely outsider, that something needed to be done.

So I decided to bite the bullet and follow the cricket. I shamelessly enlisted the aid of a co-worker who had both demonstrated some knowledge of cricket and shown some interest in my company (no doubt confirming in the mind of many engineers reading this piece the dastardly use of feminine wiles by their female colleagues.) Over a coffee break I confessed the reluctance of my resignation to spending endless weekend hours watching cricket on the tele, half-expecting him to recoil in horror. It took me a while to realize the significance of his counter-confession that some weekends he himself had to miss the cricket and that on those occasions he just checked the score intermittently, but was still able to hold his own at work on Monday. Imagine my relief and delight when I realized it wasn’t strictly necessary to know about the cricket. All I needed to be able to do was to talk about it.

Riffing together we came up with the phrase “at one stage there…” as in “at one stage there Australia was 3 for 103” or “at one stage there Warne was 54 not out”. All that was needed was to check the scoreboard once during the cricket broadcast!

The day before the next lunchtime gathering I searched the newspaper for the cricket news. I arrived at work the next day with a few facts printed on the palm of my hand. After everybody had eaten enough to satisfy hunger, and the conversation turned to cricket, I surreptitiously glanced at my hand and announced “At one stage there Australia was 2 for 75.” This was greeted by a number of wise comments, and I was part of the group. Emboldened by this success, I further announced “At one stage there Steve Waugh was 75 not out.” This was met by a puzzled silence and I found myself on the outside once again. Later my ally explained to me that the correct pronunciation of Waugh is “Waw”. Never having really listened to a cricket broadcast, I had somehow come up with the idea that it was pronounced “woe”. Since at that time Steve (or Mark?) Waugh was captain of the Australian cricket team, this was a major blunder.

My second big effort was Christmas drinks at the pub, where I arrived unprepared but was thrilled to hear the cricket news being announced on TV, and immediately memorized the first piece of information. Later I proudly announced my hastily memorized factoid, and once again it was well received. Then somebody asked me “Who won?” Unfortunately I had been so engrossed in memorizing that I had omitted to note this apparently important detail, and my face fell. An employee with all the social grace of, well, a young engineer working in IT, piped up “You can’t be very interested in the cricket if you don’t know who won.” The members of my immediate group, who by this time were in on the joke, were in stitches. I decided to own up rather than look a total moron, and by that time everybody had drunk enough to take it well.

Boxing Day 2008, and a couple I haven’t met yet are the hosts for the post-Christmas neighbours gathering. The husband greets us at the door with “I was just watching the cricket”. I have a moment’s panic; since I’ve been working at a small non-cricket oriented company the start of the cricket season has passed unnoticed. But through those earlier years of intensive training in cricket conversation I manage to avoid the crimes of appearing uninterested or asking who’s winning. I settle on asking the score, and the moment passes safely.

Thankful for this reminder, and with job interviews pending, I search the web and find the ABC.Net cricket page. There I discover an invaluable innovation, the Live Game Log. The first log entry is a summary of the state of play at the commencement of the day, and the follow-up entries are brief over by over summaries logged in real time. All the information needed to contribute to a cricket conversation available at your fingertips. At one stage there Kallis was not out for 26.

with thanks to Voice – for establishing the perfect level of involvement …. and anticipating a rejoinder from Hung …..

My View of Vivid Sydney* – Fire Water by Voice

21 Sunday Jun 2009

Posted by Voice in Voice

≈ 1 Comment

Fire Water

Fire Water

It had been billed as “a stunning re-creation of the fire that devastated the 19th-century convict ship the Three Bees sending its cannon balls blazing across the harbour”.

Loudspeakers project music as we arrive, soprano vocals and a didgeridoo accompanying each other in a work that creates the impression the composer intended it to be haunting. The Fire Water event location is a small indentation of Sydney Harbour near the Bridge. It is hidden from view of land except for a small area above the embankment around the tiny cove, along the edge of which have been placed several stalls in the form of small marquees a foot taller than a tall man. A throng has formed behind the handrail that delimits the stall-free remainder of the embankment’s edge.

The level land limits sight of the harbour to those spectators close behind the handrail. The elevated road a little further inland is completely obscured by a row of buildings, but a visual scan reveals a small pedestrian bridge and steps leading up to it, both of which have a partial view over the water. We position ourselves on the steps where some space remains unoccupied behind a lady carrying a toddler on her shoulders. Peering around the toddler towards the harbour, I see the kind of smoke you might associate with stage effects hovering over a small area of the harbour, confirming that this is a viewing spot for the spectacle to come.

White rays shining vertically from the water form a row of virtual bars in the artificial fog, which remains visible until the lights are extinguished. The music continues, its escalating insistence creating the impression that something is about to happen.

A full quarter of an hour later the waxing and waning music has created that impression several times, and the crowd about me is beginning to wonder openly whether the narrow view over the harbour afforded to the left of the last marquee in fact includes the main Fire Water display area. On the plus side for me, the toddler has been lowered to ground level. Seemingly a visual part of the fanfare, a single halogenesque white light appears and floats atmospherically back and forth atop a pole**. The crowd breathes a collective sigh of relief, and settles back expectantly.

After a while the anticipation subsides, and a laconic voice can be heard remarking that it would have been more spectacular to set fire to the marquees.

Eventually we see the frame of a ship emerging from the harbour. A lone figure clothed in naval period costume appears patrolling the deck. A spectator cries in mock alarm “He’ll be burnt alive!”. The same laconic voice as before is heard expressing the fervent wish that the role of naval sentry is being played by the composer of the music; another wit hopes it is the person who decided where to erect the marquees.

A small area of flame spurts from the ship’s side, followed soon after by the instantaneous spread of the flames to the remainder of the hull. The flames burn for a couple of minutes, after which the ship’s frame descends once more from view. The crowd disperses silently, the music proclaiming the same message but no longer credible.

__________________________________________________________

* The beautifully presented Vivid Sydney website describes it as “the biggest international music and light festival in the Southern Hemisphere”. This new festival featured four main events: Luminous, Smart Light Sydney, Creative Sydney and Fire Water. If time permits I will write a few words about the Luminous and Smart Light displays, both of which I enjoyed enormously.

** Photographs in the Sydney Morning Herald later reveal that the single white light marked the topmost point of the mast of a small boat being rowed by several men in the colourful red coats and uniform of British colonial soldiers. Apparently there was a whole lot more to be seen by the photographers at water level and the few hundred spectators along the handrail.

Pic borrowed from Time Out

http://www.timeoutsydney.com.au/aroundtown/event/10750/fire-water.aspx

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