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Category Archives: Voice

My View of Vivid Sydney* – Fire Water by Voice

21 Saturday Aug 2010

Posted by Voice in Voice

≈ Leave a comment

Tags

Australia, History, Sydney, Three Bees

It had been billed as “a stunning re-creation of the fire that devastated the 19th-century convict ship the Three Bees sending its cannon balls blazing across the harbour”.

Loudspeakers project music as we arrive, soprano vocals and a didgeridoo accompanying each other in a work that creates the impression the composer intended it to be haunting. The Fire Water event location is a small indentation of Sydney Harbour near the Bridge. It is hidden from view of land except for a small area above the embankment around the tiny cove, along the edge of which have been placed several stalls in the form of small marquees a foot taller than a tall man. A throng has formed behind the handrail that delimits the stall-free remainder of the embankment’s edge.

The level land limits sight of the harbour to those spectators close behind the handrail. The elevated road a little further inland is completely obscured by a row of buildings, but a visual scan reveals a small pedestrian bridge and steps leading up to it, both of which have a partial view over the water. We position ourselves on the steps where some space remains unoccupied behind a lady carrying a toddler on her shoulders. Peering around the toddler towards the harbour, I see the kind of smoke you might associate with stage effects hovering over a small area of the harbour, confirming that this is a viewing spot for the spectacle to come.

White rays shining vertically from the water form a row of virtual bars in the artificial fog, which remains visible until the lights are extinguished. The music continues, its escalating insistence creating the impression that something is about to happen.

A full quarter of an hour later the waxing and waning music has created that impression several times, and the crowd about me is beginning to wonder openly whether the narrow view over the harbour afforded to the left of the last marquee in fact includes the main Fire Water display area. On the plus side for me, the toddler has been lowered to ground level. Seemingly a visual part of the fanfare, a single halogenesque white light appears and floats atmospherically back and forth atop a pole**. The crowd breathes a collective sigh of relief, and settles back expectantly.

After a while the anticipation subsides, and a laconic voice can be heard remarking that it would have been more spectacular to set fire to the marquees.

Eventually we see the frame of a ship emerging from the harbour. A lone figure clothed in naval period costume appears patrolling the deck. A spectator cries in mock alarm “He’ll be burnt alive!”. The same laconic voice as before is heard expressing the fervent wish that the role of naval sentry is being played by the composer of the music; another wit hopes it is the person who decided where to erect the marquees.

A small area of flame spurts from the ship’s side, followed soon after by the instantaneous spread of the flames to the remainder of the hull. The flames burn for a couple of minutes, after which the ship’s frame descends once more from view. The crowd disperses silently, the music proclaiming the same message but no longer credible.

__________________________________________________________

* The beautifully presented Vivid Sydney website describes it as “the biggest international music and light festival in the Southern Hemisphere”. This new festival featured four main events: Luminous, Smart Light Sydney, Creative Sydney and Fire Water. If time permits I will write a few words about the Luminous and Smart Light displays, both of which I enjoyed enormously.

** Photographs in the Sydney Morning Herald later reveal that the single white light marked the topmost point of the mast of a small boat being rowed by several men in the colourful red coats and uniform of British colonial soldiers. Apparently there was a whole lot more to be seen by the photographers at water level and the few hundred spectators along the handrail.

Pic borrowed from Time Out

http://www.timeoutsydney.com.au/aroundtown/event/10750/fire-water.aspx

ABC of Cricket – the Voice from the Hill

23 Wednesday Jun 2010

Posted by Mark in Voice

≈ 31 Comments

Tags

Ashes, Australia, cricket, humor, sledge

On the way to the MCG, at the MCG and on the way home from the MCG

by Voice

As a young woman, the realization that in order to prosper in the workforce I needed to be able to talk about cricket came as a huge relief.

If you knew the extent of my lack of interest in the sport of cricket spectating, you might find this puzzling.  It’s hard to pinpoint the cause of this militant lack of interest. It might be a female thing; it might be a reaction to my father’s seasonal lack of availability, or to his one-eyed barracking. My father was your archetypal one-sided sports fanatic.  It was quite late in my childhood that I fully understood the role of the other team on the ground. Until then, listening to my father’s exclamations during the endless TV broadcasts, I thought the members of his team were the only actual players, battling blind umpires, unfavourable weather, or worse, the occasional unforced error, in an effort to claim their rightful title of match winner.

In any case, this early disaffection with the game of cricket was only reinforced as a University student, where endless discussion of cricket scores was lumped together in my mind with endless discussions about cars as uncouth “engineer’s talk”.

Fast forward a few years, and the burning ambition to be able to pay for food and rent found me working for a manufacturing company in a largely engineer dominated IT department.  As the cricket season commenced I reflexively turned off whenever the inevitable discussions started. But I couldn’t help noticing that I was spending a lot of time talking to myself, and this was highlighted during a period of relative inactivity for my group, when half the day was spent arguing  about cricket (and the other half perfecting the giant paper ball). It became painfully obvious at a farewell for one of our group, where the others bonded with management over a cricket discussion while I found myself a lonely outsider, that something needed to be done.

So I decided to bite the bullet and follow the cricket. I shamelessly enlisted the aid of a co-worker who had both demonstrated some knowledge of cricket and shown some interest in my company (no doubt confirming in the mind of many engineers reading this piece the dastardly use of feminine wiles by their female colleagues.) Over a coffee break I confessed the reluctance of my resignation to spending endless weekend hours watching cricket on the tele, half-expecting him to recoil in horror. It took me a while to realize the significance of his counter-confession that some weekends he himself had to miss the cricket and that on those occasions he just checked the score intermittently, but was still able to hold his own at work on Monday. Imagine my relief and delight when I realized it wasn’t strictly necessary to know about the cricket. All I needed to be able to do was to talk about it.

Riffing together we came up with the phrase “at one stage there…” as in “at one stage there Australia was 3 for 103” or “at one stage there Warne was 54 not out”. All that was needed was to check the scoreboard once during the cricket broadcast!

The day before the next lunchtime gathering I searched the newspaper for the cricket news. I arrived at work the next day with a few facts printed on the palm of my hand. After everybody had eaten enough to satisfy hunger, and the conversation turned to cricket, I surreptitiously glanced at my hand and announced “At one stage there Australia was 2 for 75.” This was greeted by a number of wise comments, and I was part of the group. Emboldened by this success, I further announced “At one stage there Steve Waugh was 75 not out.” This was met by a puzzled silence and I found myself on the outside once again. Later my ally explained to me that the correct pronunciation of  Waugh is “Waw”. Never having really listened to a cricket broadcast, I had somehow come up with the idea that it was pronounced “woe”. Since at that time Steve (or  Mark?) Waugh was captain of the Australian cricket team, this was a major blunder.

My second big effort was Christmas drinks at the pub, where I arrived unprepared but was thrilled to hear the cricket news being announced on TV, and immediately memorized the first piece of information. Later I proudly announced my hastily memorized factoid, and once again it was well received. Then somebody asked me “Who won?”  Unfortunately I had been so engrossed in memorizing that I had omitted to note this apparently important detail, and my face fell. An employee with all the social grace of, well, a young engineer working in IT, piped up “You can’t be very interested in the cricket if you don’t know who won.” The members of my immediate group, who by this time were in on the joke, were in stitches. I decided to own up rather than look a total moron, and by that time everybody had drunk enough to take it well.

Boxing Day 2008, and a couple I haven’t met yet are the hosts for the post-Christmas neighbours gathering.  The husband greets us at the door with “I was just watching the cricket”.  I have a moment’s panic; since I’ve been working at a small non-cricket oriented company the start of the cricket season has passed unnoticed. But through those earlier years of intensive training in cricket conversation I manage to avoid the crimes of appearing uninterested or asking who’s winning.  I settle on asking the score, and the moment passes safely.

Thankful for this reminder, and with job interviews pending, I search the web and find the ABC.Net cricket page. There I discover an invaluable innovation, the Live Game Log.  The first log entry is a summary of the state of play at the commencement of the day, and the follow-up entries are brief over by over summaries logged in real time. All the information needed to contribute to a cricket conversation available at your fingertips. At one stage there Kallis was not out for 26.

with thanks to Voice – for establishing  the perfect level of involvement …. and anticipating a rejoinder from Hung …..

Of Cones And Fried Eggs

12 Wednesday May 2010

Posted by Voice in Voice

≈ 46 Comments

Tags

Bras

Alright Sheridan Jobbins, I finally GET it. Today, for the first time in a while, I bought a new bra. Not a display bra for a gorgeous evening dress however, but an emergency everyday bra.

The sudden drop in temperature today had me striding into the local shops asking to be directed to the most comfortable warm clothing that isn’t actually a track suit. I had put on some decent clothing and a bit of makeup before heading out, but not until trying on the potential purchases did I actually LOOK at myself in a full length mirror clothed over my everyday underwear. Aaargh! I had been vaguely aware that the bras weren’t getting younger any faster than I was, but it was painfully evident that immediate action was required.

Now I don’t want to lead you on, so let me say straight up to anyone looking for titillation, might I direct you towards Episode 8 of the excellent Hell’s Hospital series by theseustoo. It turns out that for us ladies of a certain age there is nothing even remotely sexy about an emergency everyday bra.

I presented myself to the lady behind the nearest lingerie counter and, when I had caught my breath enough to be able to speak, told her that I thought I might need a bit of assistance. She responded cheerily enough with something about new models coming in all the time. I let her know that I didn’t want anything with underwiring because it sticks into me. She nodded but her face fell slightly. It might have been my imagination but it seemed that so, in sympathy, did my breasts. Then I told her I thought I’d be a C cup size. She shook her head decisively and told me that I’d be closer to a double D. She accompanied her explanation about the effects of time with some hand waving about the region of her own chest. Difficult to follow, but the final gesture was firmly and unmistakably in the downwards direction.

On the way to the change rooms she picked out a selection of bras that looked like something my grandmothers would wear. Difficult to understand why they looked like that, since I’ve never seen my grandmothers in their underwear. I think the idea must come from seeing other women in the change rooms at the swimming pool.

The very first bra made me look like Madonna. But not in a good way. I had a twin set of cones that nonetheless managed to have lumpy bits and put my nipples proudly on display through the T-shirt. Same problem with the next one. We decided that the nipples were sitting in the wrong place. Lift your breast in, she said. No, just LIFT straight up. You are pushing to the side like your mother taught you, but these days bras are made differently.

Three bras later things weren’t looking any better so we decided to try something different.

Now until I tried on a seamless bra, I hadn’t realised that cones have an antonym, or whatever you call the opposite of a shape. The shape antonym of cone is fried egg. The basic action of a seamless bra is to squash and flatten. That creates the white. The yolk part comes from the basic breast shape enhanced by the bras itself, particularly when the cup size is too small.

Anyway it was a quarter hour before closing and I wasn’t walking out in the same bra in which I had slunk in. We found a seamless bra with an inadvertent lifting side-effect, and the bonus was that, contrary to the usual case, the price was right. I’ve just checked it out in the home mirror and it is at least good enough to go out bra shopping again when I’ve recovered from the experience. Hopefully that will be before this one needs replacing as urgently as the one I left in today.

My View of Vivid Sydney* – Fire Water by Voice

21 Sunday Jun 2009

Posted by Voice in Voice

≈ 1 Comment

Fire Water

Fire Water

It had been billed as “a stunning re-creation of the fire that devastated the 19th-century convict ship the Three Bees sending its cannon balls blazing across the harbour”.

Loudspeakers project music as we arrive, soprano vocals and a didgeridoo accompanying each other in a work that creates the impression the composer intended it to be haunting. The Fire Water event location is a small indentation of Sydney Harbour near the Bridge. It is hidden from view of land except for a small area above the embankment around the tiny cove, along the edge of which have been placed several stalls in the form of small marquees a foot taller than a tall man. A throng has formed behind the handrail that delimits the stall-free remainder of the embankment’s edge.

The level land limits sight of the harbour to those spectators close behind the handrail. The elevated road a little further inland is completely obscured by a row of buildings, but a visual scan reveals a small pedestrian bridge and steps leading up to it, both of which have a partial view over the water. We position ourselves on the steps where some space remains unoccupied behind a lady carrying a toddler on her shoulders. Peering around the toddler towards the harbour, I see the kind of smoke you might associate with stage effects hovering over a small area of the harbour, confirming that this is a viewing spot for the spectacle to come.

White rays shining vertically from the water form a row of virtual bars in the artificial fog, which remains visible until the lights are extinguished. The music continues, its escalating insistence creating the impression that something is about to happen.

A full quarter of an hour later the waxing and waning music has created that impression several times, and the crowd about me is beginning to wonder openly whether the narrow view over the harbour afforded to the left of the last marquee in fact includes the main Fire Water display area. On the plus side for me, the toddler has been lowered to ground level. Seemingly a visual part of the fanfare, a single halogenesque white light appears and floats atmospherically back and forth atop a pole**. The crowd breathes a collective sigh of relief, and settles back expectantly.

After a while the anticipation subsides, and a laconic voice can be heard remarking that it would have been more spectacular to set fire to the marquees.

Eventually we see the frame of a ship emerging from the harbour. A lone figure clothed in naval period costume appears patrolling the deck. A spectator cries in mock alarm “He’ll be burnt alive!”. The same laconic voice as before is heard expressing the fervent wish that the role of naval sentry is being played by the composer of the music; another wit hopes it is the person who decided where to erect the marquees.

A small area of flame spurts from the ship’s side, followed soon after by the instantaneous spread of the flames to the remainder of the hull. The flames burn for a couple of minutes, after which the ship’s frame descends once more from view. The crowd disperses silently, the music proclaiming the same message but no longer credible.

__________________________________________________________

* The beautifully presented Vivid Sydney website describes it as “the biggest international music and light festival in the Southern Hemisphere”. This new festival featured four main events: Luminous, Smart Light Sydney, Creative Sydney and Fire Water. If time permits I will write a few words about the Luminous and Smart Light displays, both of which I enjoyed enormously.

** Photographs in the Sydney Morning Herald later reveal that the single white light marked the topmost point of the mast of a small boat being rowed by several men in the colourful red coats and uniform of British colonial soldiers. Apparently there was a whole lot more to be seen by the photographers at water level and the few hundred spectators along the handrail.

Pic borrowed from Time Out

http://www.timeoutsydney.com.au/aroundtown/event/10750/fire-water.aspx

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