Painting and Story by Lehan Winifred Ramsay
It is Big Burnable Garbage Day and I have waited three weeks and four or five years for this, it is the last of the Big Burnable Garbage of my little junk house in this seaweed village.
And it is the second time I have put out this garbage. One one of my first holiday days here I went for my morning walk and found garbage up and down the street all put out and ready to be collected, and I came back and assembled my own pile, very excited. From the dilapidated General Store I bought a page of Garbage Stickers, ten for three dollars and stuck them on each and every bundle.
There was a very big chest of drawers with all the drawers taken out and tied up into more piles. Stacks of plywood, wooden doors, paper doors, a bicycle. Sadly my neighbours were wrong, and their garbage was rejected, but worse still was that almost all of mine was too. They took the rusted bicycle. They put the doors into the truck, smashed out all the glass and then put the doors back on the road. And I had to pull it all back in. I stacked it in the lane with the permission of my neighbours and it cluttered up the street for two weeks.
And then again today was Big Burnable Day and there was nothing, nothing that was going to keep me from being here. Even the final funeral ceremony of my friend did not keep me from being here. Early I rose and dragged the chest of drawers back up to the road. All the plywood, now swollen with rain and mouldy and full of bugs, threatening to fall apart, to be retied, and the drawers, retied, and all the bits of wood from the glass doors, bundled, and I stacked this big pile by the side of the road and this time I did not check to see what my neighbours had put out because two weeks ago they were wrong.
And it was all out there, and quite early the garbage men came, about nine-thirty, and I went out to see them trying to figure out how the hell they were going to get it all into the truck, already pretty full, and lest they find a reason not to take some of it and break my heart I just waved and fled back into the house. And it was gone.
Even though it was a huge pile of garbage and I had fretted over it for two weeks and for five years before that it did not give me that feeling of huge success, because there was already more. All the plywood that had splintered and fallen apart in my garden, I had bags full of that, and all the broken glass from other doors people had put over the weeds to try to control them in my absence, that had all been scraped up and pulled up and put into more bags and all I could see were those bags. Was I going to be able to rid my house of those bags before my holiday was up.
There was a knock at the door and a neighbour appeared, one of the women who work part-time for the konbu fishermen, laying out the konbu to dry, sorting it, picking it up, laying it out to dry again. She had a bag. Here, she said. This is curry. This is seaweed. This is nira. I don’t know what nira is in English, it is a bit like a green onion and a bit garlicky.
It was all frozen, she had brought it from her freezer but I only have an esky in my kitchen and only sometimes with ice in it, ice is laughably expensive now that it is only for luxury, so it is not so practical. She stepped out of her shoes and into the house, which is only half-properly built these days, and sat down on all the things I had thrown onto the couch because I have thrown all the cupboards away. I cleared the couch for her and made her a cup of coffee and she had a cigarette and looked around.
Oh that’s a good painting she said, I made it I said make one of me she said okay come here at nine o’clock tomorrow I said, I have one canvas left.
She laughed with delight, had some cigarettes and the big cup of coffee and told me about her family; three sons and one daughter and six grandchildren and the youngest son married only last month and her husband and some complicated arrangements to be where things are now.
My next-door neighbour appeared, she was wearing a bright yellow scarf and she was pretty happy, she went to the Big Town on Monday and saw some movies with her friends and I think she may not have done that nearly enough since her husband died earlier this year but today – again! – she is going into the Big Town for an enka concert – some old-fashioned folk-wailing about love and the sea – and she said it wasn’t really her thing but anyway she was off soon on the bus.
And she pointed out the bags of plastics I had put beside the house because I put them out on the wrong day last week and they were refused, and that the crows had got into them and thrown everything around. My life here is about garbage disasters, I tell her and she says you BOUGHT garbage! You bought this HOUSE! It is true, I am without any common sense. Anyway while I have my neighbour in my house drinking coffee I can ask her lots of questions. She gave me some food. This is curry I thought she said but actually it is kare, a kind of fish. Quick! It’s an exchange of local produce! Throw it in a pot!
This village is dying out, is what people say. Even with the shinkansen coming in, still maybe five years away if we are lucky, it is dying out. They are lucky to make three classes for the Junior High school but the big thing is that even if the kids in High School were smart their parents cannot afford to send them to university, they don’t have dreams of going to university so it is unlikely that they will bother to do particularly well at high school. They get jobs and they go away. All of her kids live in Tokyo, and Sapporo, they got jobs there because there were no jobs here.
The sea is unwell, for a long time it hasn’t had much fish, it hasn’t had much seaweed, people only just manage on what they catch. She says the coast of Korea is much the same, the sea is dirty, who would swim in it. For a long time, not just for the three years of nuclear disaster. The sea is dirty from people using it as a dump. That is pretty terrible for an island like Hokkaido.
Perhaps it’s not a bad thing to be neglected at all in such circumstances. My student says it’s not so much the dirtiness of the water as the temperature of it that has risen, sending all the fish who lived around here up north to Russia, it’s global warming that is the problem. And then my friend the car man rides his motorcycle down for morning tea and says the coastline around here is much dirtier than other places, people have no respect for the sea and it’s that that’s the problem. But he also says we’re too far from the big town and anyway the big town has sea. And the sea walls aren’t very high and the houses close to the shore, there are more earthquakes and more tsunami than there used to be and it’s just dangerous these days.
I would like to feel that there was a way in which these villages could thrive. But what incentive is there for that. When you want fish you go to the big supermarket and you buy what everyone else buys. There is no fresh fish shop, there is no fresh vegetables shop to sell the produce that is grown around here. You buy what people in the city buy and it is more expensive and you have less choice because nobody will buy expensive stuff so only cheap stuff is what you see here.
But the worst thing I think is the kind of evolution of neglect. If your best kids cannot be their best then the natural effect of that will be that kids settle for moving to a big city and being second best. They don’t get what the city kids get – a fair chance. So they will always have lives that are a bit if a struggle and it is more unlikely that they will thrive and come back here, saying: I have some good ideas for this town.
This kind of city-led intelligence is creating overcrowded cities and dying towns, and just when our technology could be making a difference, when our enlightened thinking could be finding ways to bring people back to their villages, we are settling for big-town/moderate-climate intelligence.
I think that it is not intelligence. I think that any time a moderate climate dictates construction know-how, living know-how and system know-how the extreme edges of the climate are going to suffer, I see that in Australia too, where the very hot places are still negotiated using moderate-climate thinking. And where centralized distribution ensures that the advantage lies in a cluster and there is little advantage to not joining that cluster.
We should somehow be giving these small town kids, who have experienced life here, a way to use their knowledge to make something of their towns. And we’re not. My neighbour says that nobody famous has come from Matsumae in the past twenty years and I think in a country where there is a constant search for local specialities and curiosities, that should not be the case.
If seaweed kids do not go to university and become Masters and Doctors we will have no more seaweed kids, we will lose the species. More simply, more short-term, if we forget how easy it is to say to someone: that is very good, you are very good at that, then we are relying on the system to find those people. This moderate-climate city-cluster system is never going to find anything that doesn’t suit it. It is not to be relied on.
Here is the painting I painted of my neighbour, her name is Kyoko.

Anyway you can all go there and see for yourselves. There is a little house, you can live there, it has a small loft with a tiny window looking out to the sea. Sure from November to April it would be like being in a what do they call those things? A salted frozen coke. But other times it is very nice and you can be a romantic figure, solitary and contemplative until you can’t stand that any longer and have to go up to the village centre and steal the wifi from the oh I shouldn’t be TELLING you these things. The little house is crying out for occupation and you are welcome to stay there and keep it company FOR FREE! Apart from paying for utilities of course. It has some excellent fishing equipment, I took a net down to the water and waved it about a few times, that was enough for me.
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For the record, I love Lehan’s art. I’ve said so before.
I am also a great fan of her comments on The Drum. Occasionally falling off my chair.
What’s more the moderators know the quality. That’s why they usually put up the posts, even when she answers her own. Some times 3-4 in a row.
Keep up the good work.
And give our regards to the seaweed kids.
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No I don’t know what to do about the seaweed kids Carisbrooke. Something has to be done. But how. Also those rascally moderators do not print the best ones they make a mockery of me. Also they do not let me comment on other people’s comments even when I am saying something quite reasonable. Also they do not let other people comment probably because well who knows probably they are too complimentary or something.
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They have good days and bad days. Don’t forget they are civil servants, so mostly they promote the comments about Tony Abbott’s big ears.
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Its a lovely picture and a good story Lehan, My youngest is doing a short course which goes towards her HSC next year at the National Art School where she hopes to study in 2015. This is not too dissimilar to one of the poses I did for her over the weekend as part of the course.
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i like to go hunting for details off the main line in Lehan’s paintings. On the left middle ground I see two Norman Lindsay satyrs and one of his buxom nudes. Now hands up anyone who wants some of whatever I’m on !
Always a good story as well as a penetrating painting, Lehan.
PS – can you please put some dimensions on your pics for sale over at your blog – or have I missed out already ?
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Hi Emm and thankyou for asking! Everything in the first half of my Osaka phase is F8, everything from about October last year is F10, I am not sure about the Australia ones, there are quite a few of the Hakodate ones still in Australia and therefore available, I have no idea how big they are and some of the Hakodate ones are still in Hakodate and not available, and some of them are in Matsumae and therefore also not available until the snows thaw. I hope that clears things up for you, if the painting is taken there is something cryptic underneath it, just ask about particular ones and I will let you know! I am making a school-gallery and I am very excited about it, maybe Friday? and I am hoping not to fail this time so get in quick while stocks last because if I fail this time I don’t know if I’ll be going for a third time.
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I liked the story too, the way you write, gets you in, you almost feel you are in Japan,people move to big cities, they might make a better living, but not necessarily better lives, neighbours might not pop over for a cup of coffee, a little bit sad too.
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Thanks Helvi for reading it. I had thought that the town I moved to, Hakodate, was small and isolated but the people in Hakodate, when I invite them to Matsumae, say nah, it’s too far away, there are plenty of small villages close to Hakodate, no reason to go there. It has this fascinating history, there’s still reputed to be gold treasure buried in them thar hills. But, they say, the history is all going to a town further up the coast, so not even that is theirs. There is a really interesting park up on the hill with temples and a castle. Aside from that you mostly just watch people wander past or buildings getting pulled down. Also, Kyoko was the only person who actually came into the house. A few people came into the entrance to collect payment for things, but it’s not a place where you tend to hang out in other people’s houses. You crouch down and chat, and occasionally sit on the concrete wall if you’re feeling like you’ve got a bit of leisure. Of course up at the hospital is a different story. You can sit for hours in the hospital.
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I hope you won’t be offended by this but the painting seems optimistic – cheerful even.
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Yes, not a good look for The PA.
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Carisbrooke, what do you think of Lehan’s painting, her wonderful story. Made me happy to see something beautiful …
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You’re being a ratbag, Carisbrooke, as well you know. Often Art with a capital A is Terribly Serious so I think there can be an implication that cheerful isn’t Art.
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She was cheerful. Also she was about thirty years older. She brought in her photographs. I painted her, but she turned out more like her old photographs. She was pretty happy with that. Also I’ve painted maybe five paintings of that shed before. I don’t know what the PA is supposed to be, Carisbrooke.
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I thought that she looked cheerful, but vulnerable. Almost hugging herself, trying to keep body and soul together, or perhaps that’s just the way she sits?
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Ah, can see the painting now Lehan. It was the size of my little finger nail at first. Great see-through top!
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You and tits, vivienne!
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Hehehe. It is indeed a cheerful painting. You’re the one painting the tits ! 🙂
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Well told, and a pity that modernity always seems to cost more than what it is supposed to give. All local traditions and cultural differences melt together and become depressing giant shopping malls.
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Extraordinary telling of your local story Lehan. I could almost feel as though I was in your house, your street and see the garbage and the truck. Well done. Sorry that it is a sad story.
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I didn’t think it was a sad story! I thought it was just the way that Matsumae was. They don’t seem particularly sad about it, and I don’t feel particularly sad about it. Though I do feel a bit puzzled sometimes. Why is that okay? Why doesn’t that bother you? Also I am obsessed with garbage when I go to Matsumae, that is because my little house came packed full of it, a refrigerator that had been left as is three years before, some of the scariest looking things in jars I have ever seen, an entire old-person life laid bare, and I had to sort through it all and throw most of it away. So I became a kind of a garbologist, you might say. It was very helpful for when I had to do that to myself. I had some new skills with which to extract myself from the Possession of Possessions.
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Certainly is the way things are there – I can ‘see’ that clearly. Sorry if you don’t like my use of the word ‘sad’. It wasn’t exactly an uplifting situation overall – for the future.
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That is great Algernon. I hope she gets in. You can send her over here to paint with me for an afternoon.
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oops that wasn’t supposed to go there. It’s interesting thinking about “sad”, vivienne. It reminds me of reading that Marie Antoinette book and thinking: there is so much about her loneliness, and yet that kind of loneliness really wasn’t considered, it’s more of a sentimental thing that we have put over situations that are not like our own. So I too feel sentimental about Matsumae, but that is why the local people think I’m an idiot. They are not really sentimental like that.
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What a stunning painting, beautiful gentle colours, and so Japanese…I think this one is one of the best you have put up here, Lehan…
I’ll come for the story later on.
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