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Window Dresser's Arms, Pig & Whistle

~ The Home Pub of the Famous Pink Drinks and Trotter's Ale

Window Dresser's Arms, Pig & Whistle

Monthly Archives: June 2009

Armin Denies Grech Link

24 Wednesday Jun 2009

Posted by Therese Trouserzoff in Politics in the Pig's Arms

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12364_Godwin-GrechThe discussion in the Pig’s Arms front bar has been heating up all week.

Armin was the first to stake his claim over total dominance of the high moral ground.

“I have never received a phone call from either Malcolm Turnbull or Joe Hockey. Not in recent weeks, not ever. And despite my purchase of a second-hand ute from Danny next door, I have never sought financial assistance from Wayne Swan”.

“I bought it with bar tips and from money I earned doing courier work for the Hell’s Angles.”

“Exactly what kind of courier work ?” inquired Merv.

“They often get me to carry soap powder over to their laundry in Canberra”.

“Like the soap powder famously found in Emmjay’s boogie board?” snorted Merv.

“I guess so”, said Armin, “Apparently there’s a huge whitewash job underway in Treasury. They seem to be having a bit of a problem with leaky equipment though, and there’s supposed to be a huge puddle running all the way from Godwin Grech’s hard drive, down the street, past Liberal Party headquarters and ending up in Steve Lewis’ in-tray”.

Seeking to distance himself from an earlier post concerning a desire for a new guitar, Emmjay pointed out (that as Hung has since confirmed), the guitar in question was a Gretsch and also definitely had nothing to do with the Grech currently experiencing random memory failure.

“I may have offered Kevin Rudd the use of my Zephyr – strictly for campaign purposes – but I have never sought special favours – particularly in relation to charges concerning an unfortunate international incident commonly known as the ‘yellow crocheted swimmers affair’.

Merv said that scurrilous rumours that he had swayed Steve Fielding to vote one way or the other on the pink alcopops legislation were completely unfounded.

By this stage it was getting pretty crowded on the small patch of high ground next to the bar, and there was barely enough room left for Anatomou to deny any familial connection with Nick Xenophon, or specific advantage gained from a few billion dollars of Penny Wong’s Murray Darling cash for the environment concession.

The unspoken and pivotal comment was left – as usual – to Voice.

Can I interest You in a Ute, Mate ?

22 Monday Jun 2009

Posted by Therese Trouserzoff in Politics in the Pig's Arms

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Danny of Dodgy City

Danny of Dodgy City

Glenda’s other half Danny sloped in through the front door of the Pig’s Arms and made a beeline for Merv. He’s been doing it tough since the GFM and his used car yard “Dodgy City” has been empty since he’s been unable to offer his traditional “No-deposit Easy Finance”.

A schooner of Trotter’s, thanks. I’m totally over being governed through a bullshit conflict-driven political process. His brow furrowed. He continued.

The Opposition, desperately lookin’ for relevance have pushed me over the top with the UteGate Affair. It completely defies logic.

Merv pretended to polish a glass and was quietly contemplating the odds on Wal’s dog “Leichhardt Flash” at Dapto tonight. “Yeah ?”

Why would a Prime Minister and his Treasurer put their necks on the line for a mate whose sole interest is supposed to be extracting a favour and getting a foot in the trough through the loan or gift of something so trivial as a bloody ute ? Particularly when the bloke’s cashed up to the gills anyway ?

If a national leader was interested in a bit of baksheesh, surely something on the scale of a contract for reconstructing the Middle East or flogging a few hundred million dollars worth of, let’s say, a major export grain crop, would be more in the line of a fair quid-pro-quo for taking the risk.

Even if there was something really on the nose and Utegate allegations could for some crazy reason be true, who could possibly donate a rodent’s anus ?

Yes, yes. Upholding standards, moral this, example for the nation that, blah blah blah.

I have two words for the Leader of the Opposition.

Trotters Ale ? Yeah thanks.

No, – “British Parliament” – rorting their allowances to get the British taxpayer to pay for such essentials as repairs to the family moat. That’s surely the gold standard in skunk work. Not counting grain sales amnesia.

Merv said he was a bit ashamed that all the Australian Parliament can come up with is Peter Reith’s phone bill and possibly Kevin’s Ute plus a couple of nudges and winks. “If I was the Leader of the Opposition, I’d bury that last one in case the rest of the world thought we weren’t taking the GFC and the AGW and rampant corporate corruption seriously.”

Danny finished the last of his foamy Trotters and continued “In case nobody on the Opposition bench – and let’s face it, there are quite a few falling into that category – has noticed it, there’s this thing called Australia that needs to be governed – thankfully not by a pack of banjo players who want to flog dead horses with the flimsiest bullshit that they can dream up to try to assassinate the character of the elected folks.”

What’s the message to me and the rest of the Australian voters ? “You must be fuckwits for voting for these scoundrels !”

I mean, what car flogger hasn’t petitioned his local MP for a kick-in for hard times ?

It’s just a ute. Not a gazillion barrels of sweet light crude. Just a ute and maybe also a nod and a wink, possibly. For Pete’s sake, I’d give the leader of the Opposition leader a ute too. Or at least a ride in Emmjay’s Zephyr.

Merv came over all serious “But good government depends on good Opposition. Perhaps the Opposition needs to have what that means spelled out. It’s not, as the halfwit adage goes “The job of the Opposition is to oppose”. I would suggest that the job of the opposition is to assist, encourage, even force the Government to improve legislation – itself a big call. To disagree with the bantamweight policy and flyweight delivery – and (here’s the rub) come up with something better.”

“Sure” he went on, speaking to the politician in his head, “represent your narrow sectional interests and peddle yesterday’s stale ideology (if in fact they have an ideology), but for Australia’s sake, they ought to get up off their fat bronze and DO SOME REAL WORK !”

“Amen to that. Listen, can I use your mobile, Merv. I’ve got to give Tony a call. Do you have a fax ?”

Pic borrowed from http://www.barkingcarnival.com – with thanks.

My View of Vivid Sydney* – Fire Water by Voice

21 Sunday Jun 2009

Posted by Voice in Voice

≈ 1 Comment

Fire Water

Fire Water

It had been billed as “a stunning re-creation of the fire that devastated the 19th-century convict ship the Three Bees sending its cannon balls blazing across the harbour”.

Loudspeakers project music as we arrive, soprano vocals and a didgeridoo accompanying each other in a work that creates the impression the composer intended it to be haunting. The Fire Water event location is a small indentation of Sydney Harbour near the Bridge. It is hidden from view of land except for a small area above the embankment around the tiny cove, along the edge of which have been placed several stalls in the form of small marquees a foot taller than a tall man. A throng has formed behind the handrail that delimits the stall-free remainder of the embankment’s edge.

The level land limits sight of the harbour to those spectators close behind the handrail. The elevated road a little further inland is completely obscured by a row of buildings, but a visual scan reveals a small pedestrian bridge and steps leading up to it, both of which have a partial view over the water. We position ourselves on the steps where some space remains unoccupied behind a lady carrying a toddler on her shoulders. Peering around the toddler towards the harbour, I see the kind of smoke you might associate with stage effects hovering over a small area of the harbour, confirming that this is a viewing spot for the spectacle to come.

White rays shining vertically from the water form a row of virtual bars in the artificial fog, which remains visible until the lights are extinguished. The music continues, its escalating insistence creating the impression that something is about to happen.

A full quarter of an hour later the waxing and waning music has created that impression several times, and the crowd about me is beginning to wonder openly whether the narrow view over the harbour afforded to the left of the last marquee in fact includes the main Fire Water display area. On the plus side for me, the toddler has been lowered to ground level. Seemingly a visual part of the fanfare, a single halogenesque white light appears and floats atmospherically back and forth atop a pole**. The crowd breathes a collective sigh of relief, and settles back expectantly.

After a while the anticipation subsides, and a laconic voice can be heard remarking that it would have been more spectacular to set fire to the marquees.

Eventually we see the frame of a ship emerging from the harbour. A lone figure clothed in naval period costume appears patrolling the deck. A spectator cries in mock alarm “He’ll be burnt alive!”. The same laconic voice as before is heard expressing the fervent wish that the role of naval sentry is being played by the composer of the music; another wit hopes it is the person who decided where to erect the marquees.

A small area of flame spurts from the ship’s side, followed soon after by the instantaneous spread of the flames to the remainder of the hull. The flames burn for a couple of minutes, after which the ship’s frame descends once more from view. The crowd disperses silently, the music proclaiming the same message but no longer credible.

__________________________________________________________

* The beautifully presented Vivid Sydney website describes it as “the biggest international music and light festival in the Southern Hemisphere”. This new festival featured four main events: Luminous, Smart Light Sydney, Creative Sydney and Fire Water. If time permits I will write a few words about the Luminous and Smart Light displays, both of which I enjoyed enormously.

** Photographs in the Sydney Morning Herald later reveal that the single white light marked the topmost point of the mast of a small boat being rowed by several men in the colourful red coats and uniform of British colonial soldiers. Apparently there was a whole lot more to be seen by the photographers at water level and the few hundred spectators along the handrail.

Pic borrowed from Time Out

http://www.timeoutsydney.com.au/aroundtown/event/10750/fire-water.aspx

Fine Dining at the Pig’s Arms

19 Friday Jun 2009

Posted by Mark in Mark, The Dining Room

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Attentive Wedge Carriers at the Pig's Arms

Attentive Wedge Carriers at the Pig’s Arms

Here is an extract from the Mearld-Hail dated 31st June 2008 after food and wine critic Earl Sandwich and partner Jules Carrot went on a search for the best inner west pub meal. That night, they dined at the Pigs Arms.

Arriving at the hotel is indeed an experience in itself. Tucked away, just off Porcine Ave, the Window Dressers Arms Pig & Whistle, the Pigs Arms to the locals, boasts the most interesting welcome. A sign greets you at the door saying “What lies in front us and what lies behind us are huge irrelevancies to what lies out there…..”, well, what can you say to that Odlaw?

You shuffle via the Ladies Lounge through the bar into the Bistro or as the pink neon light reminds you “The Pigs Arms Bar & Grill” just in case you would forget or in fact if you are ever able to forget.

In the bar a man stares blankly at a wall, humming a tune to himself, so softly in fact that no one else could hear it. We find out later on that it was Hung One On, a 70’s rock star who had a one hit wonder with an album that nearly everyone alive brought. “One trip too many” they say.

The waitress introduces herself as Belinda, “Glenda’s little sister”. It would seem Glenda is important. I comment that my sister also has that name but often complains that she is never allowed to sit near a window. How odd?

We are seated a table that has a picturesque view over the railway yard. Belinda gives us the menus. We order some drinks, Trotters Ale, as it’s a local brew. Served cold, it emitted a strange misty vapor and an aroma that burns imprints on your brain that are difficult to erase. Drinking this ale became a two way process. As I sipped it, it sipped me. Stranger than strange.

The menu was small however eclectic. It contained all the usual villains, prawn cocktail, grapefruits onto pasta, steak, cake and ice cream. The words “Granny’s wedges are a must for all beer drinkers” emblazoned on the front cover however the curious thing was the way the menu was written.

Prawn cocktail was described as “…innocent little Dendrobrachiata, boiled alive , stripped to the nut, served in a sauce made of the unborn children of Gallus gallus domesticus for some fat git with high cholesterol”, get the picture!

We asked for the wine list. A man approached calling himself “Merv”. A list is produced, listing 34 varieties of Shiraz. “Gez’s” favorite we are told, whoever Gez is. I ask for a merlot, “Mate, this pub is for locals, you know, the unleashed”, absolutely no idea what he means so we pick a bottle and I order another Trotter’s and wait. Jules and I read the menu, Mains. Wow, after the entrées, geeps, I’m afraid to look. Let’s see, Lamb Rack – “The rib of a defenseless young Ovis aries brutally murdered and marinated in the oil of Olea europaea, ascorbic acid, Allium sativum and rubbed in sodium chloride baked in a <>187.7 degree oven. Served with pan fried Solanum tuberosum and steamed piccoli bracci”, Crusted Flathead – “a portion of sample from an ill-fated platycephaliade, obtained by slicing parallel to the spine producing a fillet, pan fried in the oil of Olea europae in a coating of sodium chloride, Piper nigrum and the dried crumbed remains of baked Triticum spp. . Served with deep fried elongated pieces of Solanum tuberosum and a salad of Lactuca sativa, Solanum lycopersicum and Cucumis sativus”, whoa.

Dessert well lets not go there. By this time the Trotters Ale was staring to have an effect. Someone came past, counting everything, “37: John Howard, 38: The GST….”, I see a Dutch couple in the corner playing euchre and drinking Shiraz and arguing in Flemish about Wagner and his Ring Cycle.

Belinda arrives, we order but to her shock and dismay, we didn’t want any of granny’s wedges. The wine comes and a handsome Greek couple enters and sits in the corner reciting poetry and encouraging the DJ to play Stella Konitopoulou. From my days of researching restaurants if the local’s visit then you know it’s going to be good.

A giant orange arrived at the door shouting, “ Is anyone going to squeeze me?” , the paint on the walls start to peel turning into butterflies, SAS soldiers break through the doors shooting randomly and yelling at everyone to get on the floor, Jules hand mergers with the shiraz bottle and she has snakes coming out of her eyes, a man enters wearing a dinner jacket with monogrammed hankerchief’s, “MJ”, his name is Mike Jones, how I know that I have no idea, Glenda approaches, I hear her say to Belinda “Didn’t order granny’s wedges, what have I told you, if I’ve told you once I’ve told you a thousands times the antidote to Trotters is in granny’s wedges, sheez”, a lion with a black eye walks up and puts his paw on my shoulder and says ”Here mate have some of this”, I look down and see a bowl of wedges, the lion says “The’ wezzes are goo, weawy goo, eat”. I shove wedges in my mouth and chew, I’m sweating, the lion is looking annoyed, a man approaches, its Jayell, “Quick”, he cries, “Get Hung to reprogram him”, I need my nappy changed and where’s mum I’m hungry, some one is shaking me “Sir! Sir! Sir!”

I wake up. I’m in hospital, St Boars. A doctor and nurse are in the cubicle with the curtains around, they tell me this happens all the time to people not used to the mild hallucinogenic effects of Trotters Ale “You need to order some of granny’s wedges, didn’t Belinda tell you” he says, they smile at me in a peculiar way, they call Jules. As we leave St Boars a giant orange is sitting on the side on the road, crying, “Won’t someone squeeze me?”……..

Hung One On ……

Warrigal Drops Into the Pig’s Arms

18 Thursday Jun 2009

Posted by Therese Trouserzoff in The Public Bar, Warrigal Mirriyuula

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Black Eye

Brickwork cratering, exploding. Shit!! my face, then hear shot!

(Shotty?)

Face stinging, shit, left eye, swallow hard, GOGO GO! Low fool!! Twoshot! Fuck! Torn carpetlefthand and I lit outa there as fast as I could.

“I only came for a fuckin’ beer and some of them wedges.! What’s with this? Myall Creek again?”

Toohard shout and run, BLAMthreeshot TOOclose whizzzzzfzzfzzfzz by my ear and blew a wad outa the dart board as I flew by. If I can just make it into the lounge I stand a chance, almost there, crashthrough swingingdoors, ??occurring to me?? Is this sport??. Shit! He couldn’t miss me from across the bar, FUUUCK!overbarstool, drinkers look notfussed. “Fuck me!” Who is this guy? What’s with the cannon? Why me?

My mind begins to race. I knew this pub was weird when I saw that bearded guy tie that alpaca up outside. What was that about? And the collection of oil dropping British marques in the car park; and that Black Series III Zephyr 6, (?) Chief Inspector Barlow must be about.

I go down, I hurt bad, in places. I’m goin’ nowhere!! justGOprone…. Armsoutspreadeagle….

“Get up ya bastard!” He kicks my ankle.

Keeping my hands out all the time I roll around, I’m staying on the floor. My ribs hurt where I crashed over the stool. I mean they really hurt, crackedbroken? I can’t see properly outa my left eye and the back of my left hand has a spray of pellet wounds. Shit!!

I go for comedy.

“Ya got me….,” big smile and a happy shrug but he’s not buying any of it.

“Get up ya bastard, I said!”, and not to leave it out, to finish his routine, kicks me again and I get another sharp pain to worry about.

Gingerly, ??noticing?? several aches sprainpains!! Left hand throbbing, slowly stand uuupp…

(You should see this. I mean really; I may be battered and broken but this guy is seriously fucked up. Stick with me right, because this is how it looked as I slowly lifted my head……,

The mad cannoneer has grubbywhite socks under cheapplastic sandals, cheap polycotton pants, beige; white belt. Knitted??, NO! Crocheted!! yellow polo shirt with a “Jaguar Drivers Club” cloth patch over the left tit! Sorry, saggy tit. Seriously! Who is this guy? Why does no-one but me see this whole thing as seriously twilight zone.

“I really did only come in for one beer and some wedges. Honest mate, I seriously dunno what’s going on here. You coulda killed me!” a little too hysterically, but you’ll forgive me I’m sure.

“If I’d wanted ya dead, y’d be dead already. Quit whining!”

Then I see it! Casually but firmly held, as though it’s just part of his arm, is a hand tooled Purdey, Side by Side, All the Gods of Gunpowder! it’s a beautiful thing, perfectly balanced in his grip, both sinister blue steel gleaming barrels pointed at my guts. He had my full attention.

(No, fuck, there it goes…, )

What’s with that screamin’ pink drink and all the umbrellas in his left hand? I’m mad, must be! No, I’m dead! This is some outer circle of hell. I look him in the eyes.

Whatever…….

He fixes me with those rheumy gimlet eyes, the Purdey doesn’t waver, “Wha’did ya say to that bloke?” the “Best‘n’Less” spectacle indicates the punter I was talking to before the wall exploded.

“All I aid was, “Owning a collectable Jag is like standing up ta ya hips in a bath of used sump oil burning $100 bills one at a time”, it was a simple enough proposition and all too true, “I should know. I’ve had a few in my time.” I tried to extend my left hand, morepain!!! I pick out a pellet and flick it on the floor.

The Purdey wavered, did it droop? YESssjustslightly!!

“What have ya had?” his head drops on one side and he gives a dog like look

“Well over the years, many; but just at the moment I’ve got a 1987 Series III 5.3litre Sovereign, white with red; and a 1976 Series II 4.2L Coupe, red softtop with velour. Though I covered the velour with custom sheepskin.”

“The coup; carbs or injected?”

“Injected”

“That Sov.’s a beautiful thing to drive, (A deep sigh), lovely balance.” suddenly all the bluster’s gone from him. He slumps and breaks the Purdey, takes out the still smoking spent shells. “I’m sorry mate, really I am.” He’s trembling, lookin’ at the floor, “I just get so sick’a people taking the piss all time. I really do! I love me Jag, I love m’ Purdey. So I got this thing for British shit…, so what?”

He lifts his head and is just stood there, sobbing silently, shaking a bit. The old woman from behind the food bar comes out and puts an arm over his shoulder. Taking the empty, broken gun she hands it to this other dude who’s been standing around like some kinda factotem. First I’ve really noticed him.

The old woman turns to me and says, like this whole thing, it’s my fault!?!, “Merve didn’t mean no harm. Why’d ya gotta go and say them things in ‘ere? That’s just spiteful that is.” She takes “Merve”, apparently, out through the doors that say “Staff Only”

And I’m thinkin, I’m lucky to be alive, and lookin’ around the bar I see that all these other people are just lookin’ at me, like they think it’s my fault too. Well fuck that for a game of fuckin’ soldiers, “That bastard just shot at me!” I shout at no-one in particular, “Three fucking times for chrisake!”, I’m really mad now.

This grey haired guy stands and says, in a very final tone too, “Sit the fuck down you whining nonce, finish ya wedges and beer,. He didn’t hit ya did ‘e? (show him left hand), “Naaarh, that’s nothin’. Fuckin’ scratches” and he gives me his hankie to wrap round my wounded hand. My blood redly oozes through the pressed white linen, obscuring the monogrammed MJ in the corner. (So he’s MJ) “Thanks MJ” I say without really enough thanks. I go and sit down.

I need to put my poo in a pile. I take a long pull on my beer. Relaxing, my heart rate dropping as the adrenalin washes away, I look around. There’s a guy at the end of the bar reading Sophocles while he’s fillin’ ‘is face w’ wedges. So I stuff a few wedges in me gob for good measure.

“The’ wezzes are goo, weawy goo.” I say, mostly to myself through a mouthful of half chewed wedges,. More beer and wedges. “These wedges are fanfuckingtastic!” I spray at the same guy I’d warned about Jag’s. “I mean, they’re really great!” He smiles slowly and nods like the penny shoulda dropped by now, but I’m too busy yaffling more wedges.

I swallow my last wedge and go over to the food bar. The old woman’s there and I say, “Can ya tell, Merve, is it?, yeah? Merve, that I’m really sorry. It was all my fault. I was a fool. Will he ever forgive me? Will ya tell him that?” (She smiles knowingly. She’s obviously played this scene before.)

“And can I have another plate of them wedges?”

“Of course you can dear, and I’m sure Merve won’t hold it against you.” She smiles that winner’s smile, hands me my wedges, “You can call me Granny when you come again.” She winked at me, the old biddy winked at me.

But she’s right, Granny is. I’ll be back and probably soon too. Merve could ride a warthog round the lounge in the nude singing “Friday on My Mind” shooting every second drinker in the place so long as none of ‘em was me and Granny kept makin’ those wedges.

(I swear, seriously, she winked at me.)

Now I gotta go and find outa ‘bout that Alpaca.

Lion Pic borrowed from the inspirationroom.com – Buenos Aires Zoo Lion

When Theatre is Anything But Entertaining

18 Thursday Jun 2009

Posted by Therese Trouserzoff in Cricics, Critics, Everyone's a Critic

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Wild Animals Will Kill You

Wild Animals Will Kill You

But last week we were wiped out by Food Court.

Presented as a collaboration between Geelong’s Back to Back Theatre Company and the jazz improvisational trio, the Necks, the production nailed the audience to a most uncomfortable and deeply thought-provoking issue. Horror and cruelty in the lives of disabled people.

More disturbing – if that’s possible was that the drama translated cruelty and maltreatment of what was clearly learned behaviour from the world at large – the food court perhaps – into a kind of “normalcy” amongst this disabled community.

Food Court was conceived from an overheard conversation in a shopping mall. The production ran for two nights at the Sydney Opera House last week – after sell-out shows in Europe in May. We went on the strength of a previous 2007 Festival of Sydney production by Back to Back – Small Metal Objects – which was an altogether different kettle of fish.

Small Metal Objects

Small Metal Objects was set in the public space outside the Customs House at Circular Quay – and the audience (wearing headphones and sitting in a small temporary grandstand) – as well as the mic’d actors mingled with the general public as the comedic drama unfolded. In fact as a production, audience, actors and passers-by reshaped the drama every evening. The play was hilarious, warm and strongly affirming the depth of talent of the disabled actors and their generous poking of fun at able characters in their world – from the businessman trying to buy party drugs to his friend the psychologist – enlisted to help sort out the deal – with the massively disinterested but pleasant enough (and slightly helpful) disabled characters. The duo of Simon Laherty and Allan V Watt were wonderful – reminiscent of Steinbeck’s small quick-witted George Milton and the large disabled Lennie Small from “Of Mice and Men”.

Food CourtBut Food Court was a very different kettle of fish. The Necks laid down a constantly tense and sharp-textured soundscape slowly rising to a crescendo. The drama opened with a bit of good-natured comedy as a female “interviewer” (Rita Halabarec) dressed in gym gear and a sound man prepared for the drama. We waited – and waited as interview teams surely do for the arrival of their celebrated persona. The audience grew restless and when they were joined by a second female (Nikki Holland) also dressed for the gym, the food court dialogue started, the exchange did not go well. There was a lot of hostility, and this escalated when the characters were joined by a third disabled person (Sarah Mainwaring) who refused to speak and became a new victim.

The actors shouted abuse at each other and the obscure speech was surtitled. To the extent that “You fat ! You ugly!” needed visual clues to help with problems of diction, the surtitles added to the stress placed on the audience. A few people in the audience couldn’t endure the onslaught and departed early, but more challenging action was yet to come in a misty silhouetted dream sequence in a forest, one of the characters was forced to strip and dance, and was abused, kicked and beaten. It was clear that there was not going to be a happy ending.

Also disturbing was the finale when the Necks joined the cast on stage for a bow – with the exception of Sarah Mainwaring who had pegged out amongst the line-up and was receiving the gentle care of a stage assistant. (That was pretty much how it felt from the audience perspective too). I hope she feels much better now.

It was a confronting and exhausting experience; a window into a nightmarish world. We lumbered out into the biting cold with plenty of time to reflect and recover from the experience – mindful that theatre is not always cheerful entertainment and that the life of a disabled person can be very far from the beer and skittles world of the Small Metal Objects.

Pics were borrowed from the Back to Back Theatre web site. http://www.backtobacktheatre.com/about

And Small Metal Objects – SMH Arts in Review

Eulogy for Costello

17 Wednesday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

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Apologies to Gilbert and Sullivan….

costello

From a seat on the backbench a little tom-tit
Sang “Costello, Costello, Costello”
And I said to him, “Petey-bird, why do you sit
Singing “Costello, Costello, Costello”
“Is it weakness of intellect, birdie?” I cried
“Or a rather vast emptiness in your inside”
With a shake of his poor little head, he replied
“Oh, “Costello, Costello, Costello”!”

He slapped at his chest, as he sat on that seat
Singing “Costello, Costello, Costello”
And a cold perspiration dripped all round his feet
Oh, “Costello, Costello, Costello”
He sobbed and he sighed, and with a limp little wave
He plunged himself into the shallowest grave
And an echo arose from the suicide knave
“Oh, Costello, Costello, Costello”

Now I feel sure as I’m sure that my name
Isn’t “Costello, Costello, Costello”
That ’twas blighted affection that made him exclaim
“Oh, Costello, Costello, Costello”
And if you remain callous and obdurate, Tony
You’ll perish as he did, and you will know why
Though you probably shall not exclaim as you die
“Costello, Costello, Costello”.

First published a few minutes ago on ABC’s Unleashed

Thanks to the SMH for a loan of the pic.

Ah, Sol, Amigo

16 Tuesday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

≈ 2 Comments

Ah, Sol Amigo

Ah, Sol Amigo

Ah, Sol, amigo.
Stain front of a Telco
Pork, whey, more bento

Stain front of a Telco

Telstra immobile
Sadly you’ve gone away
Not coming back, they say
Grabbed the cash
Shot through today

Ah, Sol, amigo
Far cough, bandido
Take your bandolero
Pear soft Pajero.

Apologies to Capurro and di Capua….
Miraculously first published by ABC’s Unleashed Tuesday 16 June

The Diploma

15 Monday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

≈ 1 Comment

The Diploma.

On the flinty lips of my birth-river,
A spring-water river that runs passionately
Beneath Artemis’ lavish cliffs,
You loosened the swaddles of my unfledged
Soul.

You picked the soft cloth slowly
With the tips of your grin
And unwound it
And,
Turn after turn
Like the swift, graceful cadence
Of a swallow’s tail
The bandage ascended above me;

And beneath us the pebbles,
Some full-white, some flecked with red
As if sprayed with the blood
Of crushed cherries,
Smooth, round and made alive by the
Wild paws of Artemis’ hounds,
Crooned at each turn
After turn
Of our disordered twine
Tightened fast in the rushing turns
Of love-in-the-making.

Two elks, then two tigers,
Two butterflies crazily searching
For their buds
Through the fine tapestry of the
River
Spray and the
Sun
Rays;

And when my soul fledged
And the soft swaddles dispersed
Into the beating rush of the passionate river,
Your grin intensified
A little,
Like a signature on a graduate’s diploma,
You unwrapped your flesh from mine
And walked away
Following the banks,
Looking for another.

I gripped anxiously at the diploma.

“Ah, a diploma!”
They now say and look at me proudly.
Tempus may fugit
But my diploma stays!
Posterity’s evidence that my soul is
Fully fledged;

Yet my body,
My body,
Is still naked
And still unfledged.

atomou

Human Flu Alert

04 Thursday Jun 2009

Posted by Therese Trouserzoff in Emmjay

≈ 3 Comments

As a community service, the Pig’s Arms has opened a new clinic for the terminally boared.

Our latest bulletins:

1.  If you receive an Email warning you to avoid eating pork, ignore it.  It’s just spam.

2.  The Hell’s Angles were concerned about recent reports of sine flu – but they were just going off on a tangent.

3.  Merv rang up the swine flu line but all he got was crackling.

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