Story and Illustration by Sandshoe
Readers who might have missed Episode 1 – November 2010 – may wish to catch it here https://pigsarms.com.au/2010/11/22/the-castle-episode-one-the-florist/
Similarly, Readers, Episode 2 – April last year – is here https://pigsarms.com.au/2011/04/02/the-castle-episode-2-wooden-%E2%80%93-it-%E2%80%93-be-%E2%80%93-nice-%E2%80%93-to-%E2%80%93-get-%E2%80%93-on-%E2%80%93-with-%E2%80%93-your-%E2%80%93-neighbours/
Suse opens her eyes. She begins to speak again and there is no apparent lapse of reason or fault of logic between the sentence on which Suse succumbed to slumber and this next. Who is there to know other than her audience of one she had been mid-sentence and nodded off recounting to her interviewer the rules of the workplace Suse knows in its every corner and nook. Her eyes beneath lank eyelashes are a tranquil hazel flecked with the colours of the spectrum and all their shades including there is violet. Her lightly freckled face is pale representing more than any other aspect of her existence a life spent indoors. Nothing is prettier than Suse’s hair however dulled from an imaginable bounty of flecks of gold, bronze and titanium naturally curling and tousled about a casually inserted pair of hairpins. Suse is the princess in the tower who has come down for coffee, petite, pale, polite.
It is as her eyelids lift she speaks.
“No-one much who has not been there would understand we have rules,” she advises, “they are not allowed to kiss.”
Something in her demeanour advises as equally, informs, educates. Her mind is resolute with kind intention. It lacks no clarity in respect of kindness.
Her listener dares not shift her cramped position where she has sat almost breathless while her interviewee napped. She encourages description.
“The client cannot kiss you? How do you manage that? Surely..how…do you have problems enforcing that?”
The steaming coffee is a warmer Suse has embraced as if her small hands need to be thawed.
“No.” She declares her preparedness to communicate, steadfast, resolute, a reliable source of information in this instance of a real and barely imagined world between the two women seated at the table. She explains her clients are regulars because she has been working so long. She has been given privileges. They can be trusted. By and large, customers do heed the rules in the first instance.
“I feel sorry for them, why they are there, who they are, what they tell me, how they live. They say thank you.”
She waves one hand free of the coffee mug before replacing it.
“We don’t have much here at home but, you know, we are lucky we have this.”
Behind Suse, past where sunlight is playing at the tips of her hair the oak tree on the gullyside opposite the stark verandah off the empty coconut wood kitchen and a sun room has caught a gust of wind and translated it into song, through the rustling of its leaves. The brief trill followed by the o, so characteristic klok-klok-klok of the song of a tui has never ceased. A parlour piano can be heard starting up as if in the hidden distance behind the oak tree tinkling without the intervention of human hands. Sight unseen. It is of water beginning to flow and racing, of the tumble of cracking ice and snow melting, of branches breaking and being swept into the melee that the piano is singing.
Sandshoe
15/2/2012

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‘shoe, have to apologise for only reading this today. Sometimes new items pop up on the Pigs Arms notice board which I only glance at, initially, then come back for a good read. I suspect that Suse is one of those interesting characters who one needs to tease and cajole into relinquishing their story by bits and pieces.
As for the drawing, it’s kinda stark and warm at the same time. Probably need one of our artists in residence to explain this. I’m only the bloke who takes the pitchas to the framer!
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Stark and warm at the same time! How wonderful!
Big M, it is an honour you read my writing. It was your incentive in particular I have never forgotten that you had said something to effect of wanting Suse to wake up. I will be interested how she develops and what we will learn of her next. 🙂
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I’m honoured to know that I may have had some incentive for your writing. I’m sure that Suse is one of those characters who scrapes at your insides until you either laugh at her joy, or cry as you commiserate with her. You know, the sort of character that forces you to the keyboard to quickly get something down. Anyway, we all wait eagerly for the next episode.
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H: Darn, I forgot to reply toyou here that I used the title as an example of appropriateness, because it is the name of the composition of music at least as I have known it since childhood, although when naming it in conversation would refer to it as Rustle of Spring.
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Sandshoe, I wondered why you used German in the title…it’s perfectly appropriate, just wondering because not many Aussies know German… 🙂
There is indeed spring in the air is this piece, colours, sounds, wakening up of things, air still cool…
PS. I also read the previous stories.
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H, thank you so much for reading the stories. I am writing another episode. Particularly, thank you for the question.
I recently tried to read Patrick White’s ‘Eye of the Storm’, H., I went to the library in fact to borrow Voss–on a rediscovery jag, way back when I think it was Vivienne was reading or re-reading ‘Eye…’ No copy of Voss to be found for love nor money.
I imagined I would emerge with an understanding to share and as well there was talk among the piglets about Patrick White, not read since I was a high school student when I did love what I recall as an impressive lot of interesting words.
Specifically because I am deficient in any fluency with any language other than English, I have struggled with ‘Eye…’ and returned it although unfinished in view it is the only Patrick White novel available in the library.
Not being on the net thorugh the months when I had it it and intermittently tried to read it, not having my own library anymore of foreign language dictionaries, result I had to smother a lot of angst to cope with a real growth of understanding how frustrating a poorly resourced rural environment can be. The lack of resources is more far reaching in effect than I ever bargained. So I have thought a lot about the use of foreign language words, snippets, phrases in an English novel that are foreign to not only the eye but the imagination of a majority of Australians who speak only English. Where might an English writer use a word or a phrase from another language appropriately. How can they use it to inform, expand an image, stimulate perhaps…
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This is better than any German-English dictionary you would have had at home.
http://dictionary.reverso.net/german-english/
When you’ve looked up a word, try to see whether it is being used as part of an idiomatic expression.
If you can’t find a word it’s probably compound (made up of two or more words which is common in German); delete the letters from the end until the first word shows in the drop-down box if you can’t identify the component words any other way.
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Thank you Voice for the link. That looks good.
Any German dictionary, Voice, would be better than none or an internet that is high speed relative to such a tedious process by which to read a book though. May the internet speed improve when I get another jack so I can plug it in direct where I need it.
A German speaking person who knows how to flap a blanket and send translations in smoke messages would be contingent in the battle we are engaged in trying to get services in the Tatiara district. Dinkum.
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I guess you’re having a conversation with your ISP about speed.
You are wireless from the modem to your PC? Have they helped you try to identify any potential source of interference?
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My landlord is the technician, Voice. We have an aerial line hooked up spare to a pair of a neighbouring business for the phone and a hole in the ground trying at the moment to find the ancient buried telephone cable in the yard, reputed to be perhaps 40/50 years old, that has to be fixed when it is found. Re two internal jacks, one is impossibly located in the kitchen and another in a room down the hall that gets too hot to inhabit it to direct connect permanently there. Working on it, Voice. PS I’m just out of range of the exchange for a connection that is apparently high speed relative to the one I have. Mind you it would have to be v fast to look fast to me after using high speed broadband in NZ…
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Don’t know why he doesn’t just dig a new trench and pay the standard Telstra connection fee for a new line. But presumably he does know. Hope it gets sorted out. 🙂
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P.S. If you can talk to your ISP support they should be able to tell you all sorts of things to try.
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Hi, Voice, my Landy is the Telstra technician. He knows. Thank you for your advice too. You understand how aggravating drop out and interference problems are. 😉
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A possible majority of everyday Australians especially when Eye of the Storm was written would not have persisted reading it for the reasons of time and lack of availability of translation resources. On the other hand, perhaps this is more pecualiar to me I shelved reading it because I cannot comprehend fluently the sprinkle through its opening pages of foreign language expressions, phrases and sentences. Although think I understand the intention of the author. Or do I? Which made me consider what this experience of not knowing what the characters are saying-only their cultural mindscape-has done for me that is positive, or what useful questions come out of it for me or are revived.
Yes, I cannot know something unless I am taught and am prepared to learn it and what would inspire me to learn another language to a degree of fluency. I am warned in technicolour how isolating it is to live in the Australian culture, but to be in fact in an important sense stranded in it, frequently without resources to be anything else but, feeling no opportunity holds good, having opportunities evaporate with circumstances of redundancies, changes in government policy, ad infinitum…the characters in ‘Eye of the Storm’ as unloveable as they seem to me to be developing where I left off are Australians who have lived a rough country life and a high life, who have seen ‘the best’ and ‘the worst’…
Sometimes that which we hear and know to the depths of our soul we know by the education of primarily experience eg this piece of music I refer to I grew up with through the first years of my life hearing my beautiful sister playing it and I recently wondered what it would mean to the generations of young people including in rural Australia who it seems play it today.
So these considerations have been going on in my head pretty well without external expression for the past year, about language and learning, different languages including that of music. In reference to the book, H, I am glad to see it has been made into a movie. 🙂
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It feels warm, if with trademark Sandshoe melancholy, and the musical accompaniment blends into the story as if they were composed together.
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I am indebted to you, Voice. Apropose the music…after the event of writing this (which I found myself doing surprisingly quickly) I listened to don’t know how many versions of ‘Frühlingsrauschen’-Rustle of Spring to choose one. Your telling me this experience that the accompaniment and the story blend for you is powerfully rewarding feedback.
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Such a wonderful piece ‘Shoe. Petite, pale, polite.
I have never been there in the flesh, but your piece takes me there as certainly and as sure-footedly as Robert Altman did in McCabe and Mrs Miller.
Is Suse a Julie Christie beauty, fading a little, languid, the thinnest curl of smoke from the opium pipe winding its way through a loose spiral ? The clients turning their pleasure into money for the warm narcotic indifference of the girls.
Awesome prose, our dear ‘Shoe. Excellent.
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Suse is Suse, however, emmjay. She is brought to life I hoped to communicate with an empathy that cannot be mistaken. She has a beauty of her own that I regard is as important for us all to know of as certainly, Julie’s is as her character Mrs Miller. Suse in the context of the urban set where she lives is purely my imagination in that she is what my mind translates and sees in my imagination, an interpretation of lived experience/s, of person/s known and unknown.
When we write we are writing about ourselves in the sense of striving to communicate what we regard as an essential truth, eh. Story telling is a truth in itself, an entertainment, a pasttime, a way of communicating experience and observations of experience. Interesting we like to do it.
It is lovely to have that sweet sound of Leonard starting up my morning, MJ and thank you for your enthusiasm about this prose.
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Emmjay, loved that movie, the song, and of course, The Singer… 🙂
Funnily I wrote here earlier on saying that the first photo of Sandshoe reminded me of Julie Christie…
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H, I watched a movie with a friend couple of weeks ago ‘Raggedy Rawney’ and Bob Hoskins is in it and produces? it (think). His daughter is the lead female who I knew nothing of before and my companion knew of Bob Hoskins. That’s sum total of previous experience.
When the lead female appeared on screen I exclaimed with a shocked wha…grunt…but the amazing thing is my friend seated next to me did too and said ‘Ooooowaaaaah’. I turned to her and asked’Do you see what I see here’ and her face was a picture of amazement. She said she had only been wondering about the lifestyle of the gypsies in caravans that somehow it reminded her of me, or rather stories I have told her and she felt incredulous when the girl appeared and the camera was full on her face. For a while watching the movie we both had troube disassociating from the notion we were watching ‘me’ brought into my living room. I found it downright spooky. After the movie we went through my photos of my daughters and found more images online of the young woman, stacked them alongside. It was so old hat, mmm, yes, it’s unmistakeable. Different of course when you flesh people out in reality with the colour of their real flesh, facial expressions, different ages… 🙂
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Yo.
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You’re a a tropical palm in a nice container in the right place on the front path. It is an image that sustains me in my exile. That you speak is a wonder. 😉
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Thank you dear VL.
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I tried to post a Youtube link here. Is this disallowed? yet WordPress tells me it seems I have already posted it (Duplicate) when I try to post the same link again.
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For some reason it got caught in the spam trap, ‘Shoe. Sorry ! Please Email the link to me and I’ll sort it out.
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It finally has appeared I see here, below, emmjay. Many thanks. I will know next time.
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