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Story and Illustration by Sandshoe
Two men side by side and another close behind them stepped into the light Isobella and Hugh stepped side by side out of into the dark. Hugh leaped with a cry of alarm. He had not recognised his friends. The latecomers made their apologies. “At least you turned up,” Hugh said to them. They stood as a group. “Didn’t matter. I had a book. I met my friend, Isobella,”
Terence , the straggler, his hair roughly cut, his fair skin weathered and feet bare, guitar secured around his back so the neck of the guitar reared upward behind his own. He was dressed in shorts and a light cotton shirt as if it was the middle of summer.
He walked directly up to Isobella.
“Who are you?” When she told him her name and he told her his, he prefaced his identity, “He’s my brother.”.He pointed to the taller of the two men talking with Hugh. “ That’s Matthias. I’m going to marry his sister, but she is not allowed.” They expressly shared surnames.
“Aren’t you cold,” Hugh insisted of Terence. Hugh wore a brown corduroy coat with jeans of sturdy quality, a scarf and a cloth cap.
Everybody it seemed was going to walk with Isobella up the hill to her office. She was invited to go on with them after she was finished. They would wait.
“You can’t do that. I’ll be too long. I can’t let you into the office anyway.”
No-one was waiting to allow her entry as she supposed at the base of her work place building on Symonds Street. Matthias was amiable they would wait. She found the public phone in working order. The telephone rang out. She doubted anybody was there in the office above her. She sensed duplicity.
Quiet Jack was their other companion. He asked if she always worked there late at night. “No,” she said simply.
“Homeless people live under the bridge.” Quiet Jack was softly spoken. She could barely hear him. *Yes,” she said.
The men asked if she had a key. They were designing solutions. If she did not have a key, they would stand on each other’s shoulders and make a human ladder to the window of the third floor address.
“You wave through the window.”
One Saturday morning she told them as rejoinder she locked herself in the stairwell at the newspaper. She exited the hatch door to the rooftop and when she waved to alert the construction crew on a neighbouring building that she needed help, they gathered, waved, and wolf whistled.
They urged her to go with them. She referenced her policy was zero alcohol on the road. Matthias, tall and thin and beautiful in the black of this night would drive. “He never drinks,” Terence told Isobella, close, respectful. Matthias was shivering. They had better walk, Isobella said. Hugh was deciding to not go. He walked back along the street with them a short distance only to where he turned down an adjoining laneway. The rest stood quietly watching him. Hugh turned. He waved silently. His companions waved and he stepped out of sight into a building. He was going to visit a student’s share unit and play Dungeons and Dragons. Isobella spoke up that she would like to accept the invitation.
Matthias was sorry they had to walk to the very end of the University where he left his car. In this moment, time held a magic proportion and might describe each to the other for they would never know themselves, the poignancy of experience of youth we only see as ‘others’. They chorused they were happy to be with him. We adore.
The Busker was walking towards them. He accepted his invitation to join their party. They were all friends. Matthias was looking after another friend’s address who was away he explained. Matthias lived at home with his mother and his sister usually, Terence said to Isobella. Terence, Quiet Jack, Matthias and the Busker asked after each other as they walked.
Matthias of rare beauty, adviser, philosopher. In a long sleeve white shirt, luminate and open at the neck and body-thin black jeans, light in a silver line gave way to him in a strobe effect out of dark and into light, in and out of pools of light outside the entrances to buildings . Terence announced it was a mistake he was not chosen as his friend’s brother-in-law. He was not wanted. He accepted that status as error. Nothing was personal sleight between close friends.
Once they were in the car, Matthias describing the lay of this land was courteous and animated. The Busker spoke of their journey as mythical. The travellers witnessed on their approach to the Mangere Bridge a massive light cone beamed skywards that was the headlight beam only of a single car at its crest . With no stars when it passed and the low cloud cover wreathing the harbour, the view was of a black reach.
Matthias at the gate greeted two raucous dogs out of his vehicle window. He released them from their run. They waited noiselessly to be fed under an external light at the back of the house. Isobella, shivering now, was bundled in a quilt and directed to the lounge couch by Matthias. She had come down with a cold. Terence, attentive, lit a fire in a wood heating stove that warmed the lounge. “There is a lovely tree of lemons out there,” he encouraged Isobella, “Lemons cure everything.” Matthias insisted he, Matthias, make the hot lemon drink. He asked Terence to play some music.
“I’ll talk”, Terence retorted and sat down on the floor by the couch, “I’ve been playing all day. I want to talk to Isobella.” The Busker wrapped around his waist in a white towel was already out of a shower he asked Matthias for permission to take. He scurried for clothes he had forgotten to take with him out of his back pack left under a table in the living room. Quiet Jack had responded to a call from Matthias for someone to help him at the run gate that needed a repair. He made himself a place on the floor with a cushion. He made room for The Busker to dry in front of the fire box. The Busker excused himself. Returning in loose cotton clothing and the full heat of a sparking fire catching lights off red and grey strands in his beard and hair, he stood staring at the flames in introspection. Where could he sit, he asked, smiling. He found a bean bag. Matthias came in with a tray. He had made a hot lemon drink for each of them. He sat in his easy armchair.
Isobella would stay with him, Matthias announced to the room in the form of an assembly. The friends nodded assent to Matthias and he would cook her a meal in the evening. Did she want anything to eat now, he asked. No, she shook her head. He loped out of the armchair and returned to her from somewhere with track pants and their pull over with a pair of thick knitted socks. He helped her to stand up out of the quilt. Behind the door of the bathroom where she changed, he had left hangers for her clothes. She was wearing a white cotton shirt, she stared at and ladies’ black cotton trousers. She struggled out of the trousers to change them. She saw the strobe effect of a white shirt in a darkened street and the silver line. Her narrow black tie she knotted around the collar of her suit coat and the coat seemed incongruous. The coat waist length not a weighted woollen overcoat, she felt the coat hanger weight drop away from her hand and test her strength as she struggled to lift the coat to secure it on its hook behind the door.
The Busker had played a simple piping tune on a recorder. “Fiddlesticks,” he said at a private joke, “Got that wrong.” He smiled with the knowing of familiarity. “Go on,” he said to Terence giving him the floor. Terence had picked up his guitar that was never far from him. Each song was new to her. They were his songs and he played an accompaniment that was raw, impulsive. She remembered later some of the words of the songs and had lost recall of context. When Isobella awoke the next morning to the sound of a clock alarm, she was alone in the house.

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spotted gerard’s hahaha socks (Vivienne thank you earlier message) …
thank you dear helvi for putting your head in to let me know you are around about and where you are at ….
Hung I am really grateful to your saying you feel like picking up the guitar again. I was grateful here when you talked about not feeling the drive to play, very enlightening and you write so well from your heart…
Than k you again Big M and Gez, and Emm…
So I am going to catch up on some music here and some kids and btw I won’t be long with the next episode and the bridge…
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Amazing, I spotted Gerard’s knitted socks.
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Excellent word order shoe, made me feel like picking the guitar up again
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I really like the illustration, nicely balanced form relationships and happy making colours, Will get to the story later on…
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Thank you very kindly regards the illustration, helvi, that means a lot. I value your opinion very highly, with a touch of awe really (blush)x
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I’ll be reading this later. Just to register my continuing interest Shoe.
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Fascinating reading. I feel drawn into a stream of consciousness, wondering where we are all going. I’m glad Isobel didn’t climb the humqn ladder, surely a recipe for fractured limbs?
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Big M, thank you for reading another episode. Little story follows.
When I finished writing this episode, wondering what your take would be, I recalled a gentleman in a group I read a story of mine to (same time setting as The Castle and locale) but nevertheless different story altogether. I thought I would be happy about this episode if one person showed as much enthusiasm for this as he did for that. I had asked each person to give me feed back and he interjected as the first …and said ‘Fascinating.’ I was taken aback, ‘Really? Fascinating?’ and he repeated with fervour. He was fascinated.
Where you are at, but also wanting to know how this can be solved is exactly what I hoped for. I’ve never been keen on short stories that end nowhere but I decided to make this on first appearance look as if it might be lost from the mainstream of the story.
I’m not saying anything else about what I I hope for out of this episode, but …I really cannot thank you enough including being drawn into s of c. Suffice to say I hope you find out of each episode some interest regards a writing style. Fancy and you in Italy as well. x (Blush).
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Yes, shoe, all go in Italy, but your Castle stories bring a little bit of home. My comments are genuine, I feel like I’m being dragged into the story!
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That is really something, Big! I have high hopes for this story. I am so pleased you feel that way. x
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I, too, have high hopes. I can empathise with the labour pains of the novelist.
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I love the painting it seems to have a magic surreal quality about it as does the story which I’ll re-read again to fully digest all the leaps and bounces. Tell me Shoe, it seems to me to have an auto-biographical truth to it? Is that so or am I wrong and the story is a totally imaginary creation?
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Gez, I’ve always liked that it appears the young man is wearing footwear that is like a pair of clogs or modelled like a peasant’s sacking shoe. 😉 Myself, reflecting on this I don’t know where he got those clothes from. You will understand when I say he dressed himself, I’m not his mother. I’m only the artist. 😉 Nothing could be in the case of the painting more imaginary, except attached to each element in the illustration is an idea including the classic one of courting and he is, classically, entering the temple and bearing testimony as well of his homage.
The story…it is totally flattering that you ask me if it is autobiographical. Gez, as I write every detail, I am pulling up in front of my mind’s eye the situation I want to describe for whatever reason that is. An example for you is that The Busker came out of the bathroom wrapped in a white towel around his waist. I doubt you will forget the white towel if I refer to The Busker in future in a context that reminds you he showered at Matthias’s place and you ought to remember something of what he looked like that you created by reading how I’ve described him here. The white towel ought to be the mesmeric because it is familiar and intimate. I have created nodes through this of white and light and my rhythm has taken me to the overall effect. That is purely imagination, the towel, that he had a shower etc. I needed a device to show you how intimate the group is but to keep building what The Busker looks like, and what he is.
That’s not always how I write. In this case, I take the minute detail and to avoid a thousand words to describe a setting I am trying to write a photograph for you or, in fact a film so you can as each episode goes up ‘watch’ the story. it returns to specific addresses and locale’s so you will build a picture of those in a filmic way as far as you can know or imagine them leastwise.
I think I will know when it is finished how autobiographical it is. Truly. It will be lovely if I pull it off so you don’t think it is pure baloney. 😉
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Thank you, Emm. Reading over it, it is ok for a first draft. I am happy.
I have another episode but need to write a bridge for between this one and the next. Many thanks, Emm.
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Error: Terence announced it was a mistake he was not chosen as his friend’s spouse.
Correct: Terence announced it was a mistake he was not chosen as his friend’s brother-in-law.
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Fixed, ‘Shoe.
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Thank you, Emmjay.
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