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Author Archives: Therese Trouserzoff

Pig’s Arms Bumper Christmas 2015 – The Graduate Revisited

25 Friday Dec 2015

Posted by Therese Trouserzoff in Scott Probst

≈ 3 Comments

Tags

The Graduate

C5CA80C5-1A94-4056-AB21-E325C925AA40

Story by Scott Probst

It has been many years since I first saw The Graduate, Mike Nichols’ 1967 classic starring Dustin Hoffman and Anne Bancroft – not quite since it first came out, as I was only three years old at the time, but early in my life.

I began to think about how it would be seen now to the first-up viewer. There are a few obvious things about the film that stand out: it has a solo male protagonist, and so does not seem on that score to be saying anything significant or positive about the role of women. The family units portrayed in the film are all western-conventional nuclear units, and the sexuality on display is uniformly heterosexual.

So far, for a film made on the west coast of the US in the mid-sixties, it seems pretty straight in every sense.

Hoffman’s Ben Braddock, however, is far from fitting straight in. He seems confused, in shock and unable to make sense of even the most straightforward social conventions. He walks through social occasions like a sleepwalker, with some creeping sense of horror at what he is taking part in. Although everyone around him – all adults his parent’s age for the first half of the film – seem to have clear expectations about what he might do and are full of worldly advice for how to proceed, he cannot make sense of anything they tell him.

Ben is an agent of disruption, first for just not doing anything in the eyes of most, just lying around all day and going out mysteriously at night. He does not conform to expectations, or even pretend that he is going to.

Mrs Robinson, famed through upbeat yet vaguely mournful song her, is also disruptive in her aggressive chase of young Ben. She is sexually aggressive, assertive in manner and strong willed in her choices. Also, she is not specifically punished for her behaviour, unlike the contemporary trope where the sexually available woman often is punished or even dies for her trouble. She is simply unhappy and seeking some pleasure. Although she is disruptive in this sense, she seeks aggressively to maintain the social status quo by preventing any news of her behaviour from leaking outside, and particularly to prevent her daughter from partaking of the same pleasure that she has. She does not even want to talk about anything at all with Ben when they are together.

The film has a positive lack of heroic behaviour: Mr Robinson is strangely afraid of Ben when he confronts Ben over the affair; Ben does not threaten Mrs Robinson when she intends to tell Elaine and ruin their chance of a relationship; Ben breaks down and confesses his confusion to Elaine at the first hurdle. The characters display ordinary confusion and anger at every turn. There are no epic climaxes; even the confrontation at the church, where Elaine abandons her minutes-old marriage and Ben waves a huge cross around, is more ridiculous that dramatic. The real drama all along is in the obvious hatred for someone like Ben, who would cross the lines of convention and destroy the script that seems to be demanded of everyone.

Looking back, the final scene seems the most evocative of the times the film was made in. Ben and Elaine have denied convention and broken with expectations, yet they have no idea what will happen next. The only assurance is in their own authenticity, something Ben has been searching for throughout the movie, listening to advice to ‘get into plastics,’ taking up Mrs Robinson’s offer of an affair and then trying to turn it into a relationship, and confessing the Elaine that ‘the rules seem to make themselves up.’ He is no less confused, but at least he is himself.

With its dislocation from conventional values, and characters adrift in a confusing world, The Graduate reminded me of another film from the same era (1971), Little Murders, directed by Alan Arkin, based on Jules Feiffer’s play of the same name. Although absurdist and very black, it has some similar surreal qualities to the world inhabited by the characters, trying to find their way in a set of rules that seem to have lost any meaning. In Little Murders this tension is resolved by a move towards the darkest of emotions, however the loss of meaning in a world awash with social convention is a common thread between the two films.

Pig’s Arms Bumper Christmas Edition 2015 – The Road Past the Cemetery

24 Thursday Dec 2015

Posted by Therese Trouserzoff in Sandshoe

≈ 10 Comments

Tags

Cemetery

Child 'Shoe

Child ‘Shoe

Story and Photograph by Sandshoe

Driving to Cairns on the last leg of the Pacific Highway in those days, coming out of Gordonvale you turned onto Cairns Road left off the main street just before the level crossing. Norman Street is the main street and we lived round the corner on Cairns Road at Number Seven.

The Sunlander went through and sirened a blast of warning at the crossing. The passengers waved from behind sealed windows. The local rail motor stopped at a siding at the crossing. Railmotor passengers leaned out open sash windows. Some shyacked with fellow travellers by leaning out of windows the length of the carriages.

Passengers at their destination at the stop climbed down a ladder of steps into dirt.

A bungalow over the crossing teetered on tall black posts behind a passenger shelter at the rail stop. Beating tropical sun faded its paintwork and iron roof. The brick nurses quarters directly over the other side of the tracks from us looked to me like joined pieces out of a farm building set I used to think someone would come back for one day and take home to the kid who owned it. A wide roadside verge of kikuyu grass on both sides of the road between us was made tidy by a tractor driver who dragged a slasher over it. Molasses grass that grew wild along the railway line was reduced by controlled burning.

A ganger pushing a trolley car was derailed. He told my mother his life story when she ran to help him. She recounted at the dinner table he was addicted to tea leaves. His greatest despair was his addiction.

Over the crossing a thin black child who was a school friend stands motionless beside a black woman. Tin lean-tos swathe the out-of-town edge past the cemetery.  My feet push alternately on my bicycle pedals forward and down. The gathered fabric of the skirt of my dress slides backwards and forward over one knee and the other. A reversal of my weight on the pedals slows the bicycle. I circle to stop. My feet firm on the ground and my legs straddling the bicycle frame, I bend over to retrieve a ribbon fallen off a hair plait. Placing my feet on the left hand side bicycle pedal I stand and lean forward. The pedals start to turn and the wheels spin.

Sugar cane flowers on tall stems flustered a feral clump of sugar cane beside the road. A light breeze was sweet. The tyres of the bicycle made a strrip-strrip sound where the road’s surface changed from bitumen to concrete paving. Past the Council depot on the right hand side of the road, cane train tracks delved an altered rhythm into the sound of the bicycle tyres strrip-strriping.

Sugar cane became an avenue broken by occasional cleared spaces enough for a farm home. In the season cane cutters dossed in farm barracks made of sheets of iron for walls and roofs. I rode the length of the concrete and turned around for home. The time was stolen. Nobody knew where I was. I liked that.

Home one day I wondered by instinct if the horse was gone. The man her mother chatted with over the fence down the back yard time to time was training a horse. Her mother said to win money. Other people were involved. A stable of sheets of corrugated iron for walls and hessian bags were higgle piggle at the back next door. I called out to my mother.

The red and blue skipping rope turns on the ground under my feet. It connects with rotting mango and flings a string of semi-dried pulp and skin into the air.

My mother was crying out to me in a querulous voice from inside the house.

The skipping was ritual. I could turn the rope in arcs over my head and cross hands, alternately change the arc to skip backwards.

My mother was calling again and I heard a deep concern for me. I ran to the house. My mother was coming down the steps.

“You need to know.”

I just knew. The horse was dying or dead.  I followed my mother whose heel turn at the back door was brisk.  The floorboards under the yellow and black linoleum made a creaking sound as they shifted. At the end of the kitchen the waving branches of the maroon and yellow and red tree hanging with a luxury of seed tassels brushed on the exterior wall beside the window above the kitchen sink. There was often a leather head with a querulous eye there in the frame of the window. Not that I noticed that day. My mother exited the door into the criss-cross patterns of hot shadows on the side verandah. She said as she walked in front of me there had been an accident.

The earth drainage culvert on the other side of the road from the vacant block next door was spanned by a wooden foot bridge. The horse had fallen under the foot bridge.

We walked together down the concrete front path. My mother had to go back to help the man . I had to wait. I walked back the length of the path to sit on the front steps of the bungalow.

Across the vacant block viewed to the left from the front steps, beyond the lemon tree and pawpaw tree, poinciana, casuarina and across another wide grassy verge outside its fence and across the road that came out on Cairns Road, a railing of the footbridge at the corner and the brown horse were broken together.  The horse lying askew on its side was half-in and half out of the culvert.

Sitting on the front steps, I watched the tableau of people gathering and my mother was central.  I felt a burst of mistrust for the man, not because my mother had an arm around him comforting him but because I believed in my sad heart of hearts it was his fault the horse had fallen under the bridge. I considered the elegant horse was walked across the wooden footbridge.  As the years went by I wondered if I imagined the cause.

I might have imagined it with all its implications and he so different from the bustling full bosomed woman who regularly carried up to the corner of their shared back fence a coronation tray covered with freshly baked biscuits with a towel thrown over them.

“Mrs Wilson?” she remembered the woman calling to her mother and the branches of the mango tree creaking, “Mrs Wilson, some treats for your family and you with no mother anymore, you poor darling”.

Her mother was fine-boned and thin. Her neighbour exuded a physical largesse and high beam of feeling for the family she bestowed this love on.  “Mrs Wilson”, she exclaimed one day, “You don’t have to worry about your family.  Your children have such lovely manners.  It’s like living next door to royalty.”

Immediately behind a high hedge of tangled yellow oleander at the back of the backyard was the back yard of a woman who was as well a woman living alone. I walked past her front door on her way to school in the morning.  The woman was seated in the doorway in a cane chair. The husband was a man who had drank too much. He chased his wife with an axe. The poor woman had hidden in my grandmother’s house.

Was a man I wondered I had once seen in the garden the husband returned like a ghost returns.

The fence in the back corner where the stable took the place of shared niceties and treats passed over it was only strands of barbed wire. The backyard of their neighbour at the opposite corner was private behind an iron garage. For a while there was a Mr and boarders who were young men who worked in the bank.

One of the boarders was my teenage brother’s close friend in the final years of his high school.  He scaled the ladder of the water tower in the park and stood on his hands on its rim. With my brother and a couple of their mates he made a canoe out of tin and sheets of iron to float down the Russell River.  Our father conceded to drive the boys to the river with the canoe in the back of his work utility only to abruptly order the crew off the water in view of the height of a raging flood. Our  father arrived home in an agitated state, “A man of his age,” he fumed, “he should know better.  That river’s full of crocodiles.”

It was the friend’s idea they instead made spear-guns with barrels made of rough hewn wood. A series of looped wires ran through metal guides spaced the length of each barrel.  Their father knew nothing of it until the boys carrying one of their friends in a manfully shared cradle of arms trekked the distance from the valley of the Little Mulgrave to a point on the open road where a farmer returned them to town and the ambulance.  One of the guns discharged as the hunters walked along the bank of the river. Its metal spear lodged in the thigh of the next in line.

Our father’s rolling Scottish accent supported a sound grasp of the English language at the best of times. At his worst he was capable of a voluble tirade of swear words however infrequent and I never heard them. Johnny was a grovelling repentant. Johnny the bank johnny at the kitchen sink  after Sunday lunch spun the dried butter plates into pirouettes for my mother to catch.

Our dare devil family friend became a minister of religion. The group were all church goers. They attended the Presbyterian church that was immediately around the corner on Norman street.

I was years younger than my siblings. I lived through rope petticoats and love affairs with scrap book idols Sandra Dee and Johnny Devlin as an observer.  I sang ‘Jus wanna be a teddy bear’ with appropriate breathiness and intonations of depth when I was only 5 to my brothers and their friends playing drums and saxophone, my sister on the piano singing alternating with my mother on piano and our father on piano.  Our father taught me to sing rock and roll.  He was the leader of the Presbyterian choir nevertheless. We were younger than Springtime together. Cherry Ripe Cherry Ripe Ripe I cry. Full and Fair Ones. Count Your Blessing One by One. Carousel. The King and I.

My mother was a self-taught dance band pianist who thumped the piano by playing it by ear until the walls reverberated Ramona Ramona I hear the mission bells.  My sister’s skirt flew up and her legs were bare when our mother taught the teenagers to foxtrot. The teenagers taught my mother to jive.

They were the days of the engines of motor bikes that burst into flame. Arguments between the boys and my father became common place. My brother whose birthday I crash landed on had an accident off the back of the scooter he and his best school friend were riding on homeward to his girlfriend’s place after a hockey match.

The father of my brother’s girlfriend happened to glance that early Saturday evening out of the window at the front of his home. He saw my brother catapult into the air higher than the electric wires and telephone cables, somersault and land back to earth again.  Dux of the school and boy voted most likely to succeed he and his friend lay in adjoining cubicles in the Cairns hospital and my brother thought a reference he heard in a concussed daze that someone had died was to his school friend. They both lived. They both became economists.

My sister was a student of economics who became a teacher.

My oldest brother went off to join the railways.

I sat for years with my parents alone at home when my siblings were gone listening to their letters home read aloud; my economist brother’s written with passionate intensity to share mergers, acquisitions, companies I could name unerringly. I thought in a moment of logic and introspection I was privvy to confidential information about a redistribution of resources to the ever more wealthy.

One day one Christmas holidays when my siblings travelled home from their jobs in their respective cities our father enquired of them if they would share a Christmas whiskey. Our mother had a shandy. I was not allowed.

Our age of innocence is over.

Pig’s Arms Bumper Christmas 2015 – Booze Up

24 Thursday Dec 2015

Posted by Therese Trouserzoff in Uncategorized

≈ 9 Comments

santa_pint_drinking_beer

A Christmas Booze-Up

Poetic Licensee Mr Neville Cole

Twas the night before Christmas and all through the house
Not a creature was stirring, not even that mouse;
(I’m pretty sure I’ve finally trapped that little bastard)
No stockings were hung, the pantry was bare,
No tree, no presents, not a light anywhere;

I was nestled with a book in my bed;
With sad visions of my damn Ex stuck in my head;
To hell with Christmas! Who needs this crap?”
I’ll just settle my brain with a long winter’s nap,

When out on the street there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I staggered quite mad,
What ever was happening, I knew it was bad.
The porch light was on but the glow was so poor,
I could not see even ten feet past my door

When what to my wondering eyes should appear
But a crazy old man with a six-pack of beer,
He was certainly tipsy but still lively and quick,
And I saw right away he was dressed like St. Nick.

More dancing than walking to my threshold he came,
And he whistled, and shouted, and called out my name:
“Hey Buddy! Yo dude! Hey neighbor! On Vixen!
Open up, come and join us! We’re all out here blitzen!

As I drew in my head, and was turning around,
Through my side door that lunatic came with a bound.
He was dressed all in fur, quite fancy and fine
Except for the beer stains and splashes of wine;

A bundle of crap he had flung on his back,
And he looked like a hobo with his life in a sack.
He had a broad face and a big old beer belly
That shook when he laughed, like a bowl full of jelly.

He was chubby and plump, a right jolly old geezer,
And I laughed at him so hard, I snorted a sneezer;
With wink of his eye he threw down his stuff
And handed me a two cans; one wasn’t enough

We spoke not a word, there was no need to chat
It’s was time to get hammered and that was just that
Then plucking his hat off the top of his head
He slapped it on my damn noggin instead

Down by the park there arose quite a shout
All my neighbors were drunkenly out and about
Outside we stumbled, feeling more than all right:
“Happy Christmas to all, and to all a good night!”

 

One Christmas Night in Lewers St

21 Monday Dec 2015

Posted by Therese Trouserzoff in Uncategorized

≈ 9 Comments

IMG_0575

IMG_0575

Aloha, patrons de la salle de porc.

On a night in Lewers St Waikiki, can be found the Christmas Huladays.

Mahalo,

Hmm and FM

… FM refuses to have any hula lessons.  She says that it’s not her job to fulfil an old man’s wildest dreams 😦

Schweddy Balls

20 Sunday Dec 2015

Posted by Therese Trouserzoff in Uncategorized

≈ 7 Comments

BenJerrys_SchweddyBalls11

A Christmas Treat from Algernon

Looking for something different to serve up to the relatives this Christmas then why not try this little delicacy. A Merry Christmas to all. A safe and prosperous New Year as well

https://www.youtube.com/watch?v=bPpcfH_HHH8

NPR Delicious Dish Schweddy Balls

Funk, Mostly

11 Friday Dec 2015

Posted by Therese Trouserzoff in Algernon, Bands at the Pig's Arms

≈ 5 Comments

Tags

Al Green, Barry White, Bill Withers, Bobby Womack, Chaka Khan, Curtis Mayfield, Donna Summer, Issac Hayes, James Brown, Marvin Gaye, Sly and the family stone, Stevie Wonder, The Brothers Johnson, the O'Jays, The Temptations

funk I think 1

Playlist by Algernon

https://www.youtube.com/watch?v=UOg_8hCC4u4

Across 110th Street – Bobby Womack (finishes at about 3:45)

https://www.youtube.com/watch?v=q-ipH9Ws-zs

Strawberry Letter No 23 – The Brothers Johnson

https://www.youtube.com/watch?v=hzTeLePbB08

Back stabbers – The O’Jays

https://www.youtube.com/watch?v=nFvRvSxsW-I

Shaft – Issac Hayes

https://www.youtube.com/watch?v=pJV2pWFyfn4

Papa was a rolling stone – The Temptations

https://www.youtube.com/watch?v=tIdIqbv7SPo

Ain’t no sunshine – Bill Withers

https://www.youtube.com/watch?v=6Z66wVo7uNw

Move on up – Curtis Mayfield

https://www.youtube.com/watch?v=0CFuCYNx-1g

Superstition – Stevie Wonder

https://www.youtube.com/watch?v=x0I6mhZ5wMw

Can’t get enough of your love baby – Barry White

https://www.youtube.com/watch?v=rjlSiASsUIs

Sexual Healing – Marvin Gaye

https://www.youtube.com/watch?v=COiIC3A0ROM

Lets stay together – Al Green

https://www.youtube.com/watch?v=EBLNYuKLYD0

It’s a man’s world – James Brown

https://www.youtube.com/watch?v=Q8xuUdI1an0

I’m every woman – Chaka Khan

https://www.youtube.com/watch?v=UPXizlnS7go

Love to love you baby – Donna Summer

https://www.youtube.com/watch?v=NdiRhzTsSnk

Family Affair – Sly and the Family stone

Antivaccination Website Hit by Virus

10 Thursday Dec 2015

Posted by Therese Trouserzoff in Politics in the Pig's Arms

≈ 2 Comments

Antivaccination Web Site Video

 

Reblogged from the marvellous Shovel – with our appreciation.

Odd bits

07 Monday Dec 2015

Posted by Therese Trouserzoff in Algernon

≈ 4 Comments

Tags

Pram Car

pram car 1

A different list by Algernon

No music this week just some amusing historical titbits that I’ve found recently

https://www.youtube.com/watch?v=zp0f-COD4tc

Pram car

https://www.youtube.com/watch?v=Np-85zwkXfM

8 things you wouldn’t do today

https://www.youtube.com/watch?v=au7-zkgC3a4

Alice in Blunderland

The last one dates from 1947. For those of us in NSW the more things change the more they stay the same. Perhaps this was the inspiration for Baird’s toy train down George Street.

Weather Bureau Hopes Dashed

02 Wednesday Dec 2015

Posted by Therese Trouserzoff in Uncategorized

≈ 5 Comments

bwf6

From the Pig’s Arms Meteor Correspondent

In late breaking news the Australian Weather Bureau chief, Ivor Storm announced today that after years of pining for the good old days, the Bureau had given up attempting to predict weather.

“Gone are the days when it was reasonable to expect summers to be hot and dry and winters to have an acceptable level of crispy whiteness.  We give up” he said, “We just give up”.

” I mean, here we go again… hottest Spring on record … two days into Summer, it’s fuckin’ snowing in Jindabyne.  How are we supposed to cope with that ?  No bastard is ever going to take us seriously again.”

Sauces close to the condiments reported that when the Chief Crystal Ball Gazer uttered “When I was a lad…..” that all the reporters turned off their iPhones and headed for the bar.

 

Luke Heggie Plays the Pig’s Arms

28 Saturday Nov 2015

Posted by Therese Trouserzoff in Uncategorized

≈ 5 Comments

 

 

… So First Mate and Emmjay went down to the Marrickville Factory to see a couple of comedians warming up for a festival and honing their material…… the outstanding offering was Mr Luke Heggie !

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