Well, it’s been a tremendously enjoyble Festival this year – after a couple of fairly flat years. The new festival director Eric Van Loeuwenhooven (simulated name to remove the need to look it up) opted for an ecelectic mix of comparatively very affordable and excellent events.
In the last couple of years we saw expensive tickets and the biggest booking crash in living memory, with top line big names who failed to fire, Not mentioning the John Malkovich Casanova disaster that saw booing and audience walking out almost from the start. We made it to half way and like much of the audience, headed for the bar for the rest of the evening. Creepy and crappy, it was. And a rip-off – the Sydney Morning Herald reported people demanding the Opera House give them their money back !
But the high drama this year took place in the Sydney Town Hall’s hitherto undiscovered opera on the catwalk, with baroque music and instruments blended with punk – Vivienne Westwood couture and the surprise of audience members singing – as part of the production. I think they were actually real choristers, so I think it was wise not to join in. Not a hard decision with the libretto being a mix of German, English and possibly French – there was a lot going on, believe me ! It was a fashionista’s delight !
With the exception of a couple of sellout major shows – think David Byrne and St Vincent and Semele Walk – both unforgettable performances, we were treated to such delights as the unscripted real-time modern soon-to-be-a-classic Blind Date Project where the director hired a full time actress and randomly selected actors to create a blind date in a karaoke cabaret. The action took part amongst we patrons of said cabaret.
The director shaped the production through the dating couple taking mobile phone calls and improvising – so that every performance was different. We took the Emmlets – in their early 20s. We thought the show was hilarious – and a little sad. They said it was too close to reality for comfort. Which shows how long we’ve been out of the dating game.
We enjoyed the breakneck wild action at the Dulwich Hill Skate Park with the massively athletic and excellent timing of the stars of Concrete and Bone where skaters vied with BMX riders and parkour exponents for domination of the field of play against a pounding beat and the occasional rain squall.
FM and Emmjay enjoyed front row seats (which takes involvement to a new level – the aerialist performed above and beyond us !) at the marvellous Circolumbia show “Urban“. If you can make it to one of their remaining shows at Riverside Parramatta – GO ! You will be surprised and delighted.
And tomorrow night, we’re off to see, hear and dance to Osaka Monaurail at the Sydney Town Hall. Japanese musicians never cease to amaze !
Never could quite get into Dave Byrne but I liked Talking Heads
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Hi Hung. David Byrne as a free lancer as opposed to his role with Talking Heads, just to offer some insight into my getting hooked on him by random exposure when I started in community broadcasting early 90s. He was powerful influence in regards of the move I think I made to self appreciation … in retrospect, it seems that was his philosophical bent. I have v recently been listening to an album I picked up in a library sale of Here Lies Love he wrote and produced with Fatboy Slim (and others), based on the life of Imelda Marcos. Curious and curiouser. I think I learned something out of it. A degree of empathy in contradiction to a sense of helpless anger that power corrupts. I really don’t know. Anyway, the music works in one way or another as stimulus to thinking on the subjects the album refers to of poverty and social placement, status regards gender etc, I don’t recall them all and not sure how much I interpreted properly… (Just a comment and for that matter not a specialist on the subject by any means)… good to catch up with you at the bar btw
‘Shoe
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Sydney festival just passed us by this year, Mrs A hasn’t been well and minor procedure two weeks beck now has her improving rapidly. We even thought of going to see the duck but it had sailed off into the sunset. Oh well lets hope next year.
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It all sounds and looks fantastic, Emmjay. I’m envious…we have not been able to plan ahead too much during the school holidays ,as we often have the boys here… We enjoy their company, and realise that soon they’ll have less need for us. They would have loved the skateboard riding.. ( fashion for me any time ) 🙂
I have just been complaining on the Drum about how little interest there seems to be in arts, and here I have missed our Arts Minister Mike.. So sorry..
I thoroughly enjoyed all the videos, keep up the good work!
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They pulled a significant chunk of comments yesterday on the Peris piece, there could have been 200 of them just disappear. I complained about one of Denny’s offensive rants and 30 minutes later gone.
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Alge, makes me sick when I see what nastiness they put up, and many sensible people complain that their posts do not get published.I have alerted the Mods a couple times because of personal attacks, bullying.
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I can’t for the life of me understand why we don’t celebrate Australia day from an artistic angle. We have all the reasons to feel proud of those things that are shown in the above video clips. To celebrate larrikin being or barbecuing the Chirozo, well that can be there as well. I find it hard to be a larrikin around people and would like some lessons. Observing a good larrikin at times has given me insight but to drop my inhibitions and rather serious somewhat somber nature, would be a long term task.
H compliments things at social gatherings perfectly, so, it is not a big deal., I stand around and try and look casual with one hand holding my glass of wine and the other clutching the tongs turning the chirozos. I am stone deaf which gives me a 50/50 change of getting things right when I confirm any topic in either the positive or the negative. That’s not a bad way of showing larrikinism. If people look a bit bewildered my answer obviously was wrong. I just take that in my stride and take another sip. C’est la vie.
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I cannot at a social gathering project my voice so I enjoyed reading your description Gez of yourself with the tongs turning the chirozos. I once demonstrated a degree of larrikinism when in full voice I would screech a funny and be seen as ‘a card’. My voice and its tonal quality pretty well unpredictable and unmanageable these days I would prefer holding up a signboard. Could make a business selling resources for those of us who are communication-challenged.
How to get the real larrikin in you across. 😉
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