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Window Dresser's Arms, Pig & Whistle

~ The Home Pub of the Famous Pink Drinks and Trotter's Ale

Window Dresser's Arms, Pig & Whistle

Author Archives: Therese Trouserzoff

Can I interest You in a Ute, Mate ?

22 Monday Jun 2009

Posted by Therese Trouserzoff in Politics in the Pig's Arms

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Danny of Dodgy City

Danny of Dodgy City

Glenda’s other half Danny sloped in through the front door of the Pig’s Arms and made a beeline for Merv. He’s been doing it tough since the GFM and his used car yard “Dodgy City” has been empty since he’s been unable to offer his traditional “No-deposit Easy Finance”.

A schooner of Trotter’s, thanks. I’m totally over being governed through a bullshit conflict-driven political process. His brow furrowed. He continued.

The Opposition, desperately lookin’ for relevance have pushed me over the top with the UteGate Affair. It completely defies logic.

Merv pretended to polish a glass and was quietly contemplating the odds on Wal’s dog “Leichhardt Flash” at Dapto tonight. “Yeah ?”

Why would a Prime Minister and his Treasurer put their necks on the line for a mate whose sole interest is supposed to be extracting a favour and getting a foot in the trough through the loan or gift of something so trivial as a bloody ute ? Particularly when the bloke’s cashed up to the gills anyway ?

If a national leader was interested in a bit of baksheesh, surely something on the scale of a contract for reconstructing the Middle East or flogging a few hundred million dollars worth of, let’s say, a major export grain crop, would be more in the line of a fair quid-pro-quo for taking the risk.

Even if there was something really on the nose and Utegate allegations could for some crazy reason be true, who could possibly donate a rodent’s anus ?

Yes, yes. Upholding standards, moral this, example for the nation that, blah blah blah.

I have two words for the Leader of the Opposition.

Trotters Ale ? Yeah thanks.

No, – “British Parliament” – rorting their allowances to get the British taxpayer to pay for such essentials as repairs to the family moat. That’s surely the gold standard in skunk work. Not counting grain sales amnesia.

Merv said he was a bit ashamed that all the Australian Parliament can come up with is Peter Reith’s phone bill and possibly Kevin’s Ute plus a couple of nudges and winks. “If I was the Leader of the Opposition, I’d bury that last one in case the rest of the world thought we weren’t taking the GFC and the AGW and rampant corporate corruption seriously.”

Danny finished the last of his foamy Trotters and continued “In case nobody on the Opposition bench – and let’s face it, there are quite a few falling into that category – has noticed it, there’s this thing called Australia that needs to be governed – thankfully not by a pack of banjo players who want to flog dead horses with the flimsiest bullshit that they can dream up to try to assassinate the character of the elected folks.”

What’s the message to me and the rest of the Australian voters ? “You must be fuckwits for voting for these scoundrels !”

I mean, what car flogger hasn’t petitioned his local MP for a kick-in for hard times ?

It’s just a ute. Not a gazillion barrels of sweet light crude. Just a ute and maybe also a nod and a wink, possibly. For Pete’s sake, I’d give the leader of the Opposition leader a ute too. Or at least a ride in Emmjay’s Zephyr.

Merv came over all serious “But good government depends on good Opposition. Perhaps the Opposition needs to have what that means spelled out. It’s not, as the halfwit adage goes “The job of the Opposition is to oppose”. I would suggest that the job of the opposition is to assist, encourage, even force the Government to improve legislation – itself a big call. To disagree with the bantamweight policy and flyweight delivery – and (here’s the rub) come up with something better.”

“Sure” he went on, speaking to the politician in his head, “represent your narrow sectional interests and peddle yesterday’s stale ideology (if in fact they have an ideology), but for Australia’s sake, they ought to get up off their fat bronze and DO SOME REAL WORK !”

“Amen to that. Listen, can I use your mobile, Merv. I’ve got to give Tony a call. Do you have a fax ?”

Pic borrowed from http://www.barkingcarnival.com – with thanks.

Warrigal Drops Into the Pig’s Arms

18 Thursday Jun 2009

Posted by Therese Trouserzoff in The Public Bar, Warrigal Mirriyuula

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Black Eye

Brickwork cratering, exploding. Shit!! my face, then hear shot!

(Shotty?)

Face stinging, shit, left eye, swallow hard, GOGO GO! Low fool!! Twoshot! Fuck! Torn carpetlefthand and I lit outa there as fast as I could.

“I only came for a fuckin’ beer and some of them wedges.! What’s with this? Myall Creek again?”

Toohard shout and run, BLAMthreeshot TOOclose whizzzzzfzzfzzfzz by my ear and blew a wad outa the dart board as I flew by. If I can just make it into the lounge I stand a chance, almost there, crashthrough swingingdoors, ??occurring to me?? Is this sport??. Shit! He couldn’t miss me from across the bar, FUUUCK!overbarstool, drinkers look notfussed. “Fuck me!” Who is this guy? What’s with the cannon? Why me?

My mind begins to race. I knew this pub was weird when I saw that bearded guy tie that alpaca up outside. What was that about? And the collection of oil dropping British marques in the car park; and that Black Series III Zephyr 6, (?) Chief Inspector Barlow must be about.

I go down, I hurt bad, in places. I’m goin’ nowhere!! justGOprone…. Armsoutspreadeagle….

“Get up ya bastard!” He kicks my ankle.

Keeping my hands out all the time I roll around, I’m staying on the floor. My ribs hurt where I crashed over the stool. I mean they really hurt, crackedbroken? I can’t see properly outa my left eye and the back of my left hand has a spray of pellet wounds. Shit!!

I go for comedy.

“Ya got me….,” big smile and a happy shrug but he’s not buying any of it.

“Get up ya bastard, I said!”, and not to leave it out, to finish his routine, kicks me again and I get another sharp pain to worry about.

Gingerly, ??noticing?? several aches sprainpains!! Left hand throbbing, slowly stand uuupp…

(You should see this. I mean really; I may be battered and broken but this guy is seriously fucked up. Stick with me right, because this is how it looked as I slowly lifted my head……,

The mad cannoneer has grubbywhite socks under cheapplastic sandals, cheap polycotton pants, beige; white belt. Knitted??, NO! Crocheted!! yellow polo shirt with a “Jaguar Drivers Club” cloth patch over the left tit! Sorry, saggy tit. Seriously! Who is this guy? Why does no-one but me see this whole thing as seriously twilight zone.

“I really did only come in for one beer and some wedges. Honest mate, I seriously dunno what’s going on here. You coulda killed me!” a little too hysterically, but you’ll forgive me I’m sure.

“If I’d wanted ya dead, y’d be dead already. Quit whining!”

Then I see it! Casually but firmly held, as though it’s just part of his arm, is a hand tooled Purdey, Side by Side, All the Gods of Gunpowder! it’s a beautiful thing, perfectly balanced in his grip, both sinister blue steel gleaming barrels pointed at my guts. He had my full attention.

(No, fuck, there it goes…, )

What’s with that screamin’ pink drink and all the umbrellas in his left hand? I’m mad, must be! No, I’m dead! This is some outer circle of hell. I look him in the eyes.

Whatever…….

He fixes me with those rheumy gimlet eyes, the Purdey doesn’t waver, “Wha’did ya say to that bloke?” the “Best‘n’Less” spectacle indicates the punter I was talking to before the wall exploded.

“All I aid was, “Owning a collectable Jag is like standing up ta ya hips in a bath of used sump oil burning $100 bills one at a time”, it was a simple enough proposition and all too true, “I should know. I’ve had a few in my time.” I tried to extend my left hand, morepain!!! I pick out a pellet and flick it on the floor.

The Purdey wavered, did it droop? YESssjustslightly!!

“What have ya had?” his head drops on one side and he gives a dog like look

“Well over the years, many; but just at the moment I’ve got a 1987 Series III 5.3litre Sovereign, white with red; and a 1976 Series II 4.2L Coupe, red softtop with velour. Though I covered the velour with custom sheepskin.”

“The coup; carbs or injected?”

“Injected”

“That Sov.’s a beautiful thing to drive, (A deep sigh), lovely balance.” suddenly all the bluster’s gone from him. He slumps and breaks the Purdey, takes out the still smoking spent shells. “I’m sorry mate, really I am.” He’s trembling, lookin’ at the floor, “I just get so sick’a people taking the piss all time. I really do! I love me Jag, I love m’ Purdey. So I got this thing for British shit…, so what?”

He lifts his head and is just stood there, sobbing silently, shaking a bit. The old woman from behind the food bar comes out and puts an arm over his shoulder. Taking the empty, broken gun she hands it to this other dude who’s been standing around like some kinda factotem. First I’ve really noticed him.

The old woman turns to me and says, like this whole thing, it’s my fault!?!, “Merve didn’t mean no harm. Why’d ya gotta go and say them things in ‘ere? That’s just spiteful that is.” She takes “Merve”, apparently, out through the doors that say “Staff Only”

And I’m thinkin, I’m lucky to be alive, and lookin’ around the bar I see that all these other people are just lookin’ at me, like they think it’s my fault too. Well fuck that for a game of fuckin’ soldiers, “That bastard just shot at me!” I shout at no-one in particular, “Three fucking times for chrisake!”, I’m really mad now.

This grey haired guy stands and says, in a very final tone too, “Sit the fuck down you whining nonce, finish ya wedges and beer,. He didn’t hit ya did ‘e? (show him left hand), “Naaarh, that’s nothin’. Fuckin’ scratches” and he gives me his hankie to wrap round my wounded hand. My blood redly oozes through the pressed white linen, obscuring the monogrammed MJ in the corner. (So he’s MJ) “Thanks MJ” I say without really enough thanks. I go and sit down.

I need to put my poo in a pile. I take a long pull on my beer. Relaxing, my heart rate dropping as the adrenalin washes away, I look around. There’s a guy at the end of the bar reading Sophocles while he’s fillin’ ‘is face w’ wedges. So I stuff a few wedges in me gob for good measure.

“The’ wezzes are goo, weawy goo.” I say, mostly to myself through a mouthful of half chewed wedges,. More beer and wedges. “These wedges are fanfuckingtastic!” I spray at the same guy I’d warned about Jag’s. “I mean, they’re really great!” He smiles slowly and nods like the penny shoulda dropped by now, but I’m too busy yaffling more wedges.

I swallow my last wedge and go over to the food bar. The old woman’s there and I say, “Can ya tell, Merve, is it?, yeah? Merve, that I’m really sorry. It was all my fault. I was a fool. Will he ever forgive me? Will ya tell him that?” (She smiles knowingly. She’s obviously played this scene before.)

“And can I have another plate of them wedges?”

“Of course you can dear, and I’m sure Merve won’t hold it against you.” She smiles that winner’s smile, hands me my wedges, “You can call me Granny when you come again.” She winked at me, the old biddy winked at me.

But she’s right, Granny is. I’ll be back and probably soon too. Merve could ride a warthog round the lounge in the nude singing “Friday on My Mind” shooting every second drinker in the place so long as none of ‘em was me and Granny kept makin’ those wedges.

(I swear, seriously, she winked at me.)

Now I gotta go and find outa ‘bout that Alpaca.

Lion Pic borrowed from the inspirationroom.com – Buenos Aires Zoo Lion

When Theatre is Anything But Entertaining

18 Thursday Jun 2009

Posted by Therese Trouserzoff in Cricics, Critics, Everyone's a Critic

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Wild Animals Will Kill You

Wild Animals Will Kill You

But last week we were wiped out by Food Court.

Presented as a collaboration between Geelong’s Back to Back Theatre Company and the jazz improvisational trio, the Necks, the production nailed the audience to a most uncomfortable and deeply thought-provoking issue. Horror and cruelty in the lives of disabled people.

More disturbing – if that’s possible was that the drama translated cruelty and maltreatment of what was clearly learned behaviour from the world at large – the food court perhaps – into a kind of “normalcy” amongst this disabled community.

Food Court was conceived from an overheard conversation in a shopping mall. The production ran for two nights at the Sydney Opera House last week – after sell-out shows in Europe in May. We went on the strength of a previous 2007 Festival of Sydney production by Back to Back – Small Metal Objects – which was an altogether different kettle of fish.

Small Metal Objects

Small Metal Objects was set in the public space outside the Customs House at Circular Quay – and the audience (wearing headphones and sitting in a small temporary grandstand) – as well as the mic’d actors mingled with the general public as the comedic drama unfolded. In fact as a production, audience, actors and passers-by reshaped the drama every evening. The play was hilarious, warm and strongly affirming the depth of talent of the disabled actors and their generous poking of fun at able characters in their world – from the businessman trying to buy party drugs to his friend the psychologist – enlisted to help sort out the deal – with the massively disinterested but pleasant enough (and slightly helpful) disabled characters. The duo of Simon Laherty and Allan V Watt were wonderful – reminiscent of Steinbeck’s small quick-witted George Milton and the large disabled Lennie Small from “Of Mice and Men”.

Food CourtBut Food Court was a very different kettle of fish. The Necks laid down a constantly tense and sharp-textured soundscape slowly rising to a crescendo. The drama opened with a bit of good-natured comedy as a female “interviewer” (Rita Halabarec) dressed in gym gear and a sound man prepared for the drama. We waited – and waited as interview teams surely do for the arrival of their celebrated persona. The audience grew restless and when they were joined by a second female (Nikki Holland) also dressed for the gym, the food court dialogue started, the exchange did not go well. There was a lot of hostility, and this escalated when the characters were joined by a third disabled person (Sarah Mainwaring) who refused to speak and became a new victim.

The actors shouted abuse at each other and the obscure speech was surtitled. To the extent that “You fat ! You ugly!” needed visual clues to help with problems of diction, the surtitles added to the stress placed on the audience. A few people in the audience couldn’t endure the onslaught and departed early, but more challenging action was yet to come in a misty silhouetted dream sequence in a forest, one of the characters was forced to strip and dance, and was abused, kicked and beaten. It was clear that there was not going to be a happy ending.

Also disturbing was the finale when the Necks joined the cast on stage for a bow – with the exception of Sarah Mainwaring who had pegged out amongst the line-up and was receiving the gentle care of a stage assistant. (That was pretty much how it felt from the audience perspective too). I hope she feels much better now.

It was a confronting and exhausting experience; a window into a nightmarish world. We lumbered out into the biting cold with plenty of time to reflect and recover from the experience – mindful that theatre is not always cheerful entertainment and that the life of a disabled person can be very far from the beer and skittles world of the Small Metal Objects.

Pics were borrowed from the Back to Back Theatre web site. http://www.backtobacktheatre.com/about

And Small Metal Objects – SMH Arts in Review

Eulogy for Costello

17 Wednesday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

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Apologies to Gilbert and Sullivan….

costello

From a seat on the backbench a little tom-tit
Sang “Costello, Costello, Costello”
And I said to him, “Petey-bird, why do you sit
Singing “Costello, Costello, Costello”
“Is it weakness of intellect, birdie?” I cried
“Or a rather vast emptiness in your inside”
With a shake of his poor little head, he replied
“Oh, “Costello, Costello, Costello”!”

He slapped at his chest, as he sat on that seat
Singing “Costello, Costello, Costello”
And a cold perspiration dripped all round his feet
Oh, “Costello, Costello, Costello”
He sobbed and he sighed, and with a limp little wave
He plunged himself into the shallowest grave
And an echo arose from the suicide knave
“Oh, Costello, Costello, Costello”

Now I feel sure as I’m sure that my name
Isn’t “Costello, Costello, Costello”
That ’twas blighted affection that made him exclaim
“Oh, Costello, Costello, Costello”
And if you remain callous and obdurate, Tony
You’ll perish as he did, and you will know why
Though you probably shall not exclaim as you die
“Costello, Costello, Costello”.

First published a few minutes ago on ABC’s Unleashed

Thanks to the SMH for a loan of the pic.

Ah, Sol, Amigo

16 Tuesday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

≈ 2 Comments

Ah, Sol Amigo

Ah, Sol Amigo

Ah, Sol, amigo.
Stain front of a Telco
Pork, whey, more bento

Stain front of a Telco

Telstra immobile
Sadly you’ve gone away
Not coming back, they say
Grabbed the cash
Shot through today

Ah, Sol, amigo
Far cough, bandido
Take your bandolero
Pear soft Pajero.

Apologies to Capurro and di Capua….
Miraculously first published by ABC’s Unleashed Tuesday 16 June

The Diploma

15 Monday Jun 2009

Posted by Therese Trouserzoff in Poets Corner

≈ 1 Comment

The Diploma.

On the flinty lips of my birth-river,
A spring-water river that runs passionately
Beneath Artemis’ lavish cliffs,
You loosened the swaddles of my unfledged
Soul.

You picked the soft cloth slowly
With the tips of your grin
And unwound it
And,
Turn after turn
Like the swift, graceful cadence
Of a swallow’s tail
The bandage ascended above me;

And beneath us the pebbles,
Some full-white, some flecked with red
As if sprayed with the blood
Of crushed cherries,
Smooth, round and made alive by the
Wild paws of Artemis’ hounds,
Crooned at each turn
After turn
Of our disordered twine
Tightened fast in the rushing turns
Of love-in-the-making.

Two elks, then two tigers,
Two butterflies crazily searching
For their buds
Through the fine tapestry of the
River
Spray and the
Sun
Rays;

And when my soul fledged
And the soft swaddles dispersed
Into the beating rush of the passionate river,
Your grin intensified
A little,
Like a signature on a graduate’s diploma,
You unwrapped your flesh from mine
And walked away
Following the banks,
Looking for another.

I gripped anxiously at the diploma.

“Ah, a diploma!”
They now say and look at me proudly.
Tempus may fugit
But my diploma stays!
Posterity’s evidence that my soul is
Fully fledged;

Yet my body,
My body,
Is still naked
And still unfledged.

atomou

Human Flu Alert

04 Thursday Jun 2009

Posted by Therese Trouserzoff in Emmjay

≈ 3 Comments

As a community service, the Pig’s Arms has opened a new clinic for the terminally boared.

Our latest bulletins:

1.  If you receive an Email warning you to avoid eating pork, ignore it.  It’s just spam.

2.  The Hell’s Angles were concerned about recent reports of sine flu – but they were just going off on a tangent.

3.  Merv rang up the swine flu line but all he got was crackling.

Headcleaner Top Lines at the Pig’s

30 Saturday May 2009

Posted by Therese Trouserzoff in Bands at the Pig's Arms, Mark

≈ 1 Comment

Head CleanerThe ABC’s Tom Peterson from Talking Hats interviews Hung One On the bass player and founding member of Head Cleaner whose one and only self titled album swept the world in the early 1970’s and turned a bunch of western suburbs drinkers at a hotel called the Pigs Arms into world stars.

TP: Well Mr On

HOO: Tom, please call me Hung

TP: Thanks Hung, Your album, Head Cleaner, dominated sales in the early seventies and changed your life forever, can you run through the members and how this whole concept came about?

HOO: Well Tom, we all used to meet at the pub after work like, you know, for a few pints of Trotters Ale at the Window Dressers Arms, Pig and Whistle which we affectionately call the Pigs Arms. We all played a bit and Merv the owner used to say “If youse boys ever want a gig I give youse a start, no money but youse can have a few pints on the ‘ouse”. So one weekend we got together in Emmjay’s shed and after some funny cigarettes and a few pints we got started. So it was Emmjay and me on guitars, Jimbo on drums, Keefy was the singer and Skinny Steve on bass. Emmjay was good but he was studying science at uni and moved to Bayer Island, somethink to do with asthma. [cough, cough], sorry Tom, mild dose of Swine flu.

TP: So who replaced Emmjay on guitar?

HOO: A bloke called Joe Chips, he is Skinny’s ex brother in law

TP: You all had nick names, how did they come about?

HOO: Well Joe joined the band and wanted to cover Hey Joe by Hendrix, so we just called him Joe from then on and he was always eating chips, so he became Joe Chips. Jimbo’s real name was James Bonnet and Steve was a thin sort of bloke who always had a cigarette in his mouth. Keefy never said what his last name was but his old man was a high ranking copper in the Victorian police so it wasn’t a good idea to press the bloke if you know what I mean. Anyway Keefy was always pissed or stoned or both so he didn’t make any sense anyway. My nickname was Whitey, damned if I know why. Skinny and me swapped from guitar to bass after I was walking down Porcine Ave and I just tripped over this bass guitar lying on the footpath so I took up bass. Chipsy was a gun so he played lead.

TP: So what about the Pigs Arms?

HOO: When I was at the Sow West High School for Boys with Criminal Records I used to walk past the Pigs on my way home from school. I used to dream about being in a band playing at the Pig’s. Anyway Merv gave us that gig. Granny cooked up a storm and Manne did the counting as only Manne can do. Gez and Helvi came along and Glenda came back stage to gee us up and give encouragement. Thesesustoo did the mixing and Mr and Mrs A rocked up even though they didn’t like that sort of music, Glenda’s little sister, Belinda (soggy sombrero and all), brought all her mates from work, yeah, great night. Never forget it, 30th February 1971, and the look on their faces, stunned.

TP: Yes I’m sure they were somewhat bewildered, so one night was all it took?

HOO: Yep, just one night. Merv called in a couple of talent scouts, some tall bloke with blond hair that kept carping on about tax and some other bloke with a hat who said he went for the Saints who ever they are. The bloke with the hat got a bit lispy after half a dozen of Merv’s pink drinks and wanted to meet you in the Men’s but before you knew it we had offers on the table. I swear this is true Peter, almost everyone in the seventies had Head Cleaner in their collection.

TP: But Hung, I have my copy here and there is no track listing or in fact any other information about who played on this album?

HOO: Yeah you see Tom, we were trying to be a bit controversial like, we were up against Zeppelin, Tull and Yes, we had to have an edge.

TP: Hung I have a 10 second sound byte here, I’ll play it for our listeners unfamiliar with your work, [click]

[click]

HOO: Yeah, brilliant my favourite part of the album, thanks Tom.

TP: Well thanks Hung, that’s all we have time for

HOO: A pleasure, er, um, couldn’t lend us a fiver could you?

Red Stick Ramble

26 Tuesday May 2009

Posted by Therese Trouserzoff in Bands at the Pig's Arms

≈ 5 Comments

The Red Stick Ramble

The plan was for John and Gayla to meet the first mate and me down at the Pig’s Arms to listen to the Saturday night live band.  It was a simple, robust plan, tried and true.  This week we anticipated enjoying the company (for one evening only) of the well-known Cajun group “The Red Stick Ramblers”.

Red Stick Ramblers

Now to save you coming on all technical and objecting to the alleged notoriety of the band on the grounds that you’ve never heard of the Red Stick Ramblers, all you need to know is that they just dropped in on their way back to Louisiana from a sold-out gig at the Port Fairy Folk festival.

Folk ?  Pig’s Arms ! Ersatz moonshine liquor !  A potent and heady combination.  And the ever-present threat that John and Gayla might break into Western Swing or a Cajun two-step at any moment.  Worth witnessing at any entry price.

The crowd at the Pig’s Arms is “uninhibited” and when the band took the stage (well, took the five metre by four metre slightly raised wooden box), on time and significantly more sartorially splendid than the audience (the band was at least, shod), the first cross-examination question was “Why Red Stick Ramblers?”

The band ripped into their high-octane signature tune – the celebration of moonshine, “Made in the Shade”

“ You’ve heard of white lightnin’ and of mountain dew”.  We certainly had.

“So if you see me at a party on a Friday Night

Pickin’ and a grinnin’ and a feeling all right

Chance is my back pocket got a little thirst aid

“It comes from Appaloosa and it’s made in the shade.”

Yes, but “Why Red Stick Ramblers ?”

This is clearly THE question that the band fields all the time, and since it was clearly a great burden on crowd’s mind at the Pig’s Arms, Chas Justus, the guitarist, and Linzay Young, (50% of the fiddle section and the lead singer) indulged us and removed this great concern by translating back into the Louisiana patois (I hesitate to call it French, VoR)  “Red Stick” > “Baton Rouge” – where the band members met up – as freshmen at Louisiana State University, some ten years earlier.

Chas said that after eight years of the Bush Administration (and the Pig’s crowd knew he was using the term loosely), this sample of Southern white trash had never had it so good, despite having been bagged out by sophisticated Yankees.  Now that they’d hit the international stage they had gotten used to not only being despised as being Americans, but as being “Unspeakable” Americans post Iraq and Guantanamo Bay.

I was wondering (Julius Sumner Miller-style) why it was so, but the band moved on and the matter was left to rise in the dark and warm space at the back of the brain until a few days later, when Don Watson filled in the dots.

I need to do a flashback and then fast forward you here.

I have intended to read Don Watson’s Book “American Journeys”, for ages, intensified by having read an excerpt speaking about the recent (and may I say joyous US election), published in an issue of “The Monthly”.  Now I know Don won’t be offended when I say that I’ve been damned slow on the uptake of an offer to purchase the hardback at $50.

So then, as a wild aside —- just hang on and give the old attention span a bit of a work out.—- it’ll come good, I promise —-.  Peter Cundall, on the Tuesday Book Club waxed lyrical, and passionate about Steinbeck’s Nobel Prize winning ‘Grapes of Wrath”.  I was weaned on Steinbeck four decades ago and I was determined to go and revisit this master work.  Steinbeck knew California the best, but he too, toured and wrote about the South.

Off to Bert Olbrecks Books and there, along with the Grapes, a half-priced paperback version of Don’s “American Journeys” found its way into my satchel by way of a commercial exchange.

Don’s prose is simply wonderful; luminous and echoing the clarity and simple elegance of the Steinbeck he quotes in his first chapter – Don’s 2005 trip into the Deep South, and New Orleans, post Hurricane Katrina.  Instead of the dust that gets in every crevice, we smell the stench of saturated homes, drenched belongings, heat and damp, death and decay, neglect and callous Bush Administration indifference to the dire situation.  Don takes us with him and we sit stunned, staring out the window of the Lutheran Church van delivering basics to the few survivors who have chosen to remain.  If they had a choice.

Don recounts the dreadful statistics.  More than two thousand people died and hundreds of thousands were made homeless and in New Orleans.  But nobody really knows the true number because so many bodies were washed out to sea.  And the poor and homeless do not leave records or estates for relatives to fight over in court.

While the Bush Administration was pouring cash in the billions into Iraq, the task of helping the people of Louisiana fell mostly to the two cornerstones of contemporary America – the church volunteers and private enterprise.  There was a profit to be made in souls and hard cash.  We’d better put our bets on Haliburton having both feet in the federal cash trough before the local contractors get a sniff.

And we know that it was not only New Orleans that felt the wrath of Katrina.  Amongst so many other cities and towns Don reminds us that 26,000 of the people of Baton Rouge registered as being homeless – but the actual number was suspected to be a lot higher.

Back in the lounge bar the Ramblers’ wild, driving and wailing fiddle tune ‘Katrina” (you took my home) brings the howling wind and rain right into the Pig’s Arms.

The silent crowd looks stunned and then the band swings like Sweeny Todd into their syncopated, shambolic drunken and sinister “Main Street Blues”

–        “The butcher and the baker and the undertaker,

–        The butler and the barber too,

–        The indian giver and the boy without a liver,

–        They’ve all got the Main Street Blues.

–        The lovers and the lawyer and the self-employer

–        Were all in the foyer sniffin’ glue,

–        Discussin with a Russian, who was munchin on a muffin

–        About those awful Mainstreet Blues”

The crowd is rolling laughing and the band segues into a Western Swing number.  Gayla springs to her feet and heads towards the tiny dance floor.  The faintest look of a call to duty flits across John’s face.  He clears his throat, silently mouths a “Yee-Ha!”, takes his partner and joins the indomitable spirit of Louisiana; the good ol’ boys from Baton Rouge.

“And it’s Oh Lordy me

And it’s Oh Lordy my,

This little Pig’s Arms

Keeps bustlin’ on by”.

And I can still smell the delicious smell of jambalaya and fillet gumbo wafting out of Granny’s Kitchen.

Our huge thanks to the Red Stick Ramblers at  www.redstickramblers.com

Pig’s Arms Gets a Much-needed Makeover

26 Tuesday May 2009

Posted by Therese Trouserzoff in Emmjay

≈ Leave a comment

Pigs RenovationsThings are coming along nicely with the much-needed Pig’s Arms renovations following the unfortunate accident with the propane torch when granny was doing the pink creme brulees.

Merv was saying that a mate whose name was Tripe or something like that was assisting the Council to issue a certificate of occupancy any day now.

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