Gozo lace making by RosariaRosaria in Gozo was deeply puzzled by the need for Botox implants in Australia’s Rockdale. In Malta, women had rather fulsome facial features with generous and ample bosoms. Not much needed propping or lifting. In any case, she was convinced that as you got older one would look of an age whereby years of living expressed themselves in looking older. Was looking young so important? Did grandmothers not want to look as if they had grown wiser and older than a teenager? She knew from gossip magazines that in Valetta there had been some that were suspected of also having injected a kind of filler under their skin to get rid of ageing wrinkles. Rosaria thought that the pictures of those people often showed vacancies of minds with eyes looking out without seeing much at all. To be so self-absorbed, wasn’t ever present in Rosaria’s world.
She had a lot to ponder about while sitting in the shade of a large and very old olive tree. Rosaria wasn’t just being idle in the shade of that lovely tree.
Anyone having a closer look would see a fast and deft movement of hands. There were arrangements of small narrow shaped wooden bobbins in her lap that would be changed around rapidly. Each of those bobbins had a thread which Rosaria was using to make garments of lace. On a chair she had arranged the lace on a covered straw cushion with lots of pins holding the different threads in place. Near her feet was a large sized porcelain doll partially dressed in colourful cloth. It was a picture perfect. Somehow, Rosaria’s pregnant swollen belly with a large doll on the ground and threaded bobbins in her lap told a story of creativity, piece and serenity.
The filtered light under the ancient olive tree was adding to a dream-like landscape of a rugged rock island telling its ancient history.
She had been dressing those porcelain dolls for some years now. Her mother had taught her the basics of that skill when she was very young. The main thing was to not get the bobbins mixed up while creating the intricate work of fabric making sure each thread remained independent from each other. When she had four dolls finished she would catch the ferry to Sicily’s Messina and sell them to a gallery specialising in exhibiting her exquisite dolls, all dressed in colourful hand stitched traditional costume. The laced material would be applied on top of the hand stitched fabric, allowing the colours to show through. People from around the world would travel to Sicily’s Messina to visit the gallery and buy those intricate dolls. The dolls were works of high art. Rosaria was getting a name for herself as one of the master lace makers for the hand cast porcelain dolls. Those dolls were passed from generation to generation, becoming priceless family heirlooms.
While his wife was busying herself with lace, Joe was bobbing around on his boat. He had caught more than enough fish and was just reflecting on how his wife’s sister was faring in Australia. He was amazed about all those home improvements going on so far away. He was trying to imagine the timber stud walls with plaster sheeting and the magic of a stud finder beeping on its search for timber studs. It must be the same as his fish-finder, he reckoned. He also relied on electronics to find fish. They were not all that far apart. Did the world not rely now on electronics to find almost everything? Joe was deeply immerged in his philosophical ponderings. For once this hot summer there was a cool breeze blowing about his boat.
Tags: Gozo, Lace, Malta, Messina, Sicily.
Posted in Gerard Oosterman, Uncategorized | Edit
