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Author Archives: Therese Trouserzoff

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Libnat Product Endorsement #20

09 Monday Sep 2013

Buffalo_Horn_Rzr

Posted by Therese Trouserzoff | Filed under Uncategorized

≈ 3 Comments

A Funeral for a friend

06 Friday Sep 2013

Posted by Therese Trouserzoff in Lehan Winifred Ramsay

≈ 4 Comments

Tags

Lehan Winifred Ramsay

Blue Willow

Blue Willow

 

Painting and Story by Lehan Winifred Ramsay
On Thursday a message comes from Facebook that my friend Aoyagi san has died. I have a feeling of being mortified. Ten days ago I arrived here and instead of finding his hospital and visiting him as I had planned I went straight to my little house because it is quite far away and utilities had to be organized. I was planning for a second time to visit him and had to cancel that plan and that is the very day that he dies. I am at the hospital with a scratch on my eye trying to get some relief from the pain. While I am waiting a woman strikes up a conversation with me and when I tell her about my friend she says the funeral will likely be on the weekend.

But I am struggling to get what I need for my eye. What I need is a contact lens, and why I can’t get it is because it runs against common sense. Common sense for someone who is not an eye doctor or an eye patient is that contact lenses commonly cause infection and in case of infection they should be removed. But common sense for an abrasion on the cornea is to put in a contact lens, because the swelling causes the cornea to rub against the eyelid and the swelling gets worse. On Thursday I get some ointment because I have all the other medicines with me, I brought them with me, I have a chronic eye problem. On Friday with a swollen purple eye I go back again and sit for three hours and demand a contact lens, and against their better judgement they give me one.

Later on on the Friday I have had a painless sleep and am feeling euphoric and the message comes that the funeral is this evening, in two hours time. I’m sorry, I reply, I cannot go, and then I sit in my car and think: yes I can, I can drive there and be one hour late. So I do, I pack up the car with dog and futon and bags and drive into town and get to the funeral. It is in the house of his wife and people very formally dressed in black are spilling out into the street. There are a lot of people I know. Go into the house and pay your respects, they say. I have never actually been to a funeral in Japan, even in twenty-three years. And I am not dressed in formal clothes, in fact I am wearing prison stripes. So I feel a bit embarrassed. Takeshi is there, Takeshi was my student and then my assistant and then a teacher in my school and he is very smart and he has come with the correct funeral wear and two envelopes with a monetary offering; one for him and one for me.

There is a room filled with white; white curtains, white flowers, white glowing lamps and candles and photographs and incense and a terribly thin, terribly long white coffin. My friend Ayoagi san is dead in the coffin, he looks very pretty in there, quite healthy but so tiny. His coffin is so thin because he died of cancer and he had almost disappeared. I don’t know how long he knew he had cancer, but we all expected him to have it anyway because he smoked a lot and drank a lot and was gaunt and slow. He had a bar up town and a cafe down town.

I have one time spent some time with his son but not his daughter or his wife. I am in a queue and when it is my turn I kneel down on the ornate cushion and make a prayer and light some incense and pay my respects to Aoyagi san and when that is done I move off the cushion and kneel on the floor and pay my respects to his family and talk a bit about Aoyagi san. I am “the woman with the dog who lived in Aoyagi Cho”. Well we understand him, Aoyagi san’s wife says. But he – the son – how will he understand him? But there are more people waiting in line to pay their respects and I have probably spent too much time there.

Outside people are drinking a bit and eating a bit and feeling very sad, Aoyagi san was, I reckon, a pretty exceptional person. He sat in his bars encouraging people to do things, even just talk, and I think a lot of things got off the ground because of that. I know they did, because I saw them and even participated in a few of them.

Well my eye feels pretty okay even after I drink till three o’clock talking to Takeshi, who I haven’t had a chance to talk to for two and a half years, and it feels okay when I sleep in the back of the car with my dog down by the seaside and even when the old guys talking on the sea wall wake me up at six o’clock it feels good and even through the morning until I drive the two hours back to my small village it feels fine, I am giving it a lot of drops and the contact lens is still doing its job.

I am thinking about the son and I am wanting to tell him some story about his father so I paint a picture for him. But by Sunday my eye is hurting again. The hospital always takes out the contact lens after three days and three days is Monday so even though it is still hurting I take out the contact lens and then it hurts a lot.

By the evening it is quite unbearable and I know that the little hospital has an emergency service so I go up there at six o’clock and they send me down to the general section. There is a nurse and a doctor and the doctor is very very uncomfortable with the idea of putting a contact lens in my eye. He first spends a long time washing it, which involves squirting water into it for twenty minutes after pain-killing drops have been applied. I know that it is not lint but a cut and I am not very comfortable with twenty minutes of having water squirted into my eye and although we reach a compromise in which he allows the nurse to put the second contact lens in there, he says that there will be no more contact lenses. So I know that I have a very limited time to get myself to a proper eye hospital and that doing so would be a very, very good idea. So it is time to get in the car again and drive the two hours into town.

When I leave the little hospital it is seven o’clock and there is a white fox sitting in the driveway as if it is waiting for someone. Then it runs away.

So I pack up the car again, with futons and bags of things and my dog. And the painting I made for the son of Aoyagi san, which is not yet dry. And I drive into town and it is half-past-nine when I get there. It is late but he will be at school tomorrow and so I knock on the door and when he answers I sit in the entranceway with him and give him the painting and explain the things I have been thinking about. His mother comes home and finds us there and says that she wants to hear them too and another friend of Aoyagi san has just arrived from England and that I should stay so I go into the house.

Aoyagi san has been cremated, the coffin containing his body is gone and there is a box that contains some fragments of his bones. But according to the religious doctrine he is still here, his spirit is a little disorientated and he needs some time to get used to his new non-living status before he makes his way to a heaven. So the altar is still set up, all the curtains and flowers and photographs and incense and food offerings. In the end, I sleep there on a futon on the floor, it is very bright with the lamps and the candles, and we are aware that he may choose to visit and talk. But he doesn’t. Anyway it is very soothing, it is a chance to sit with him and reflect too on his new self, the non-alive Aoyagi san.

Anyway I have never met Aoyagi san’s wife before and I have a chance to spend time with her. I go to the eye clinic at six-thirty, it is just around the corner, it is in my old neighbourhood. I come back at eight o’clock when I have been signed in and the clinic will begin at eight-thirty and she makes me breakfast, and then I go to the clinic again. They say; it is okay, the abrasion in your eye is now only about two millimetres and it is healing up, it is just taking a little longer but there is no infection. You can wear that contact lens for another two or three days, the problem will probably be fixed by then and here is a letter for the little hospital in case you need another contact lens put in and here are two more contact lenses and everything is fine.

So I am relieved, my eye will be fine, I can go back to the village without fear and I have a day to do things in town. I go to see some of the people I knew and say hello and then at midday I have been invited to have lunch with Aoyagi san’s wife, we are talking about the things she can do with her life now, that is very good. I bring her a melon I have been given by my carpark landlord and we give it to Aoyagi san, an offering on his shrine, because, she says, he always liked expensive fruits. She gets a lot of telephone calls from people.

The next day will be the final day of Aoyagi san’s spiritual repose in the house and a priest will come and say prayers and conduct a ceremony. I think that it is a very good practice, this week of living with the spirit of the dead, because in that week you have a lot of time to be doing things with them and for them, something that is missing in a Christian ceremony, where after the funeral they are simply gone, there is a terrible void and no time to prepare for it. She asks me to stay for the afternoon while she is working and that is very nice. After that I go back to the village, I cannot stay for the ceremony. I will go back later in the week, I will take my tarot cards with me, because there is planning to be done for the living.

Including A Visit to the National Gallery of Victoria, 17th November last (Three years ago).

05 Thursday Sep 2013

Posted by Therese Trouserzoff in Sandshoe

≈ 4 Comments

Tags

Christina Binning Wilson, First Dog on the Moon, Gough Whitlam, Harrall Fletcher, NGV Victoria, Trades Hall

Exif_JPEG

Gough

 

By Sandshoe.

I wrote and contributed this experiential essay then although not immediate to the 17th. What definition I wonder did we choose, the ed. and me … to move on to something else instead.

The hubbub of children oscillated like a drone in the hall. Fashionable ladies with smiling grey-haired, white-headed and bald men gathered near the vinyl/leather lounge where I was sitting. Hardly an individual voice could be heard. I was lost on the second/third floor of –perhaps – an outlier of a department of the NGV for all the sense I could make of foyer areas of bare walls and stretches of carpet with scrambles of schoolchildren pets accompanied by their teacher-owners walking them. Wherever I walked. Some carrying chairs and so far I hadn’t seen any art much. It is a big place to feel adrift. Feeling very much a loose cannon, might I cut and run. Escape the noise setting up its one all mighty gig in my head. As if off the end of a water slide whooshed. Barely treading water was I considering the carpet a stretch of a hard sea. I had decided to walk to meet with the thrill of discovery of a random piece that would transport me to heaven. An intrigue of an oil painting by an abstract artist. The solid of a sculpture by a realist. I began wending my way across a loch inside a castle on the island in its moat. I could not be far. I reached a lift door hidden in a blank wall. Art was in the air as a bespectacled youth with another bespectacled youth met the lift when I stepped out. The young people spoke to the silent lift as they stepped in. Their words whisked into the drone of words, laughter, giggling, sneezing, coughing, talking, whispering, rustling, but no footsteps. A spy could get a spy with polonium-210 in that place. People maintained their distances, walked singly and flitted with chairs.

Collage

Collage

Harrall Fletcher’s exhibition appealed to me for its title: The sound we make together (Melbourne). I did not attach to it thoughts about the initial cacophony of nothing and everything going on in my head and space as I defined it in the interior’s conclusions of edges of blocks of shadow and light and unlit corners. “Soundscapes” (an assumption) had lept out of a flame of interest to the forefront of my narrowing mind and I turned to looking for locational plans, a wall directory, signs. A sign after choosing the traffic of attendees going somewhere to trail after was obscure that appeared in a dark (I am sure) wallplate: ‘Harrall Fletcher’ I discerned and details. I chose the modest door and felt blocked by a screen with hanging on it a dark (I swear it) photograph that didn’t appeal as I wondered if it was lit or I unlit.  ‘Collaboration and Participation’ was not what I was after and yet I chose a community-based project. I was more and more engaged in interest in the individual.

When I walked around the screen and saw the sea of floor, felt an immense separation of feelings I noticed stirring in instinct to bond them, from where I stood thus I undertook an honorary inspection of the room empty other than for its exhibits and decided…to leave the NGV for another visit to Melbourne. Outside, I saw a couple of enterprising men using the synthetic grass space next to the gallery to stretch and discuss the dynamics of their musculature. They waved their hands at each other. I thought that looked interesting. A thin young man in an ill-fitting suit sat on one of the clustered bales provided on the lawn. He lifted a pamphlet to read it and discretely scratched his top lip with his free hand. I recognized a Movember moustache as I did another and another inclusive of the same self-conscious gesture wherever I had walked through the streets of Melbourne that day. Art abounds in Melbourne city in the street, that seeming to be wherever it can be fitted and adorning its architecture.

Somewhere alongside the Yarra River I sat at a bus stop, changed into the Crocs I unpacked out of my possessions in my rucksack off my back and found a rubbish bin for my sneakers. I had over the course of two days walked my sneakers to ribbons and as well I needed to repack my belongings ready to catch my plane in the early morning.

Emmjay and I met at First Dog on the Moon’s book launch of FDotMs Christmas Book of totally scratchy (hilariously funny) text and cartooning, which is why I was in Melbourne and on that day we both were on invitation to attend.  We had a delightful meeting. Emmjay (he mistook me for the woman in the grey dress) I learned was holed up somewhere earlier enjoying a pre-launch vino. I was sorting myself at my digs at the backpackers across the way from where the early evening event was held at the Trades Hall.

Although Emm had to leave to catch a plane home I could stay on for an evening of side splitting comedy of one after another stand-ups who followed the launch on a separate billing. The talent of the performers every one particularly the lack of pointless profanity I recall as a breeze on a summer’s day. I explored the corridors of the Trades Hall after the show. 

Victorian workers won the first 8 hour day in the world in 1856. An original address for the Victorian Trades Hall was built in 1859 and the present building is result of upgrades between 1874 and 1925 (Wikipedia). The structure is magnificent from an architectural viewpoint of a monolith. The commodious space where the launch was held was comfortably filled later by the large audience that enjoyed the evening’s performance comedy and when I had arrived before the launch, I took a wrong turn and found myself in a series of meeting rooms.

I photographed the display of the image of Gough Whitlam on the landing of the magnificent Trades Hall staircase that has accommodated the tramping up and down its sweep of who can imagine how many workers.

Fighting Spirit Fukushima

02 Monday Sep 2013

Posted by Therese Trouserzoff in Lehan Winifred Ramsay

≈ 5 Comments

Tags

Datsun, Fighting Spirit, Fukushima, Lehan Winifred Ramsay, Statue of Liberty

Lehan garden

Painting and Story by Lehan Winifred Ramsay

When I lived in Hakodate I used to walk with my dog from my house on Mount Hakodate along a road to get to the ropeway, and on the other side of that was a vacant block of land with a stone wall and a bench. You could sit on that bench and look down the wide cobbled road at the temple and at the bottom of the hill the passing streetcar and beyond it the harbour and on the other side of the harbour the mountains.

You could get a beer from the ropeway kiosk and the bench became a bar with the best view in town. One day I took Takeshi, who was doing some part-time work for me, along with me and we sat on the bench while my dog grazed in the vacant lot and talked about the business we could make there. I wanted to make a pastizzi shop with a window for hot coffee and Takeshi thought it should have an inn as well, just four rooms for rent at the back, I think he’d read about an inn like that in a book once. But definitely keep the low stone wall and the bench.

Of course the vacant lot became occupied, it started to get trucks from the local souvenir seafood shops parking there. All those shops were down in the tourist sections and although they looked like different businesses they were mostly just the one and for some reason the trucks started to park up there on top of the hill. Then they built a two or three story square building there, the wall went, the bench went and this building went up.

But it seemed they felt they needed more visual presence than their cheaply built building and they put two things in front of it. An old Datsun car and a large statue of liberty.
It was smack in the middle of the old part of town with the churches and the old buildings and the locals really didn’t like the statue of liberty up there on the hill and they complained about it a lot. So much so that the company had to do something about it but instead of taking it down they hoisted up the statue of liberty and laid her down on her side on the roof and there she stayed for some time staring down at the people passing on the street.

People still complained. Then they decided to take her off the roof and hoisted her down to the ground and stood her up again. This time they put a big banner over her saying “Fighting Spirit Fukushima” and people were annoyed again. That has nothing to do with Fukushima, they said, you are just exploiting people’s troubles.

Then the shop went broke and they moved everything out and closed it down. They took away the little Datsun car but they left the big big statue of liberty standing there with her banner saying “Fighting Spirit Fukushima”. The people complained, and the City Hall complained. But the company said they were broke and so they did not have the money to take her away.

I took a photograph for you but it did not come out, it is a shame.

Here is a painting of my dog instead.

Libnat Product Endorsement #19 – Boat Stoppers

28 Wednesday Aug 2013

Posted by Therese Trouserzoff in Emmjay, Politics in the Pig's Arms

≈ 16 Comments

Tags

Indonesian response, Scott Morrison, Tony Abbott, Turning back th boats

IndoBMW

Story by Emmjay

Challenge to readers:  Some aspects of this article are probably made up.  Other bits are direct quotes.  Try and spot which bits are ludicrous – first correct entry wins a boat.  Or a lunatic government.

In a reasoned response to the flood of German adventure tourists being smuggled into Australia by unscrupulous smuggler pirates, Scott Morrison and Tony Abbott announced that they would stop the boats and turn back the Teutonic hordes by buying every single boat and turning them back to from whence  boats came.

The <insert barely relevant media source here> went on to report…….

The policy also includes bounties to buy boats from owners who might be tempted to sell them to smugglers and to give Indonesia more money to improve its own search and rescue capabilities.

The Opposition’s immigration spokesman Scott Morrison spoke to chief political correspondent Sabra Lane.  Points to Sabra for keeping her lunch down.

SCOTT MORRISON: The measures we’ll announce today deal with the practical commitment to regional cooperation and the single minded focus on deterrence. Now that will include everything from significantly upgrading our involvement in joint operations with Indonesian national police, to work with them and make that offer.

In also involves community outreach program which would involve a bounties potentially through, working through villages, buying boats back where you can. But also just promoting the awareness like we did after the Bali bombings with counterterrorism to raise awareness that people smuggling is a criminal activity and it’s things that shouldn’t be encouraged or supported.

SABRA LANE: On the buying of the boats, would you need to talk to Indonesia about that first? Who would make the approach; would it be Indonesian officials or Australian officials on the ground?

SCOTT MORRISON: All of these programs will be run through cooperation with officials in Indonesia. And what’s in the policy today is about an offer of practical support of a nature that will put meaning to regional cooperation initiatives.

Regional cooperation isn’t about talk; it’s about actually doing things. And we need to significantly upscale the work that is being done throughout the region, not just in Indonesia but also in Malaysia and Sri Lanka and that’s what this policy seeks to address.

From the Guardian – August 26 –

Opposition leader Tony Abbott‘s plan to buy boats from Indonesian fishermen to prevent the vessels being used by people smugglers has been slammed by Jakarta as unfriendly and an insult to Indonesia.

The buyback plan has met with heavy resistance in Jakarta, with a senior member of President Susilo Bambang Yudhoyono’s ruling Coalition saying it showed Abbott lacked understanding of Indonesia, and the broader asylum-seeker problem.

Mahfudz Siddiq, the head of Indonesia’s parliamentary commission for foreign affairs, said on Monday that it was Abbott’s right to suggest the policy but warned that it had broader implications for the relationship between Jakarta and Australia.

“It’s an unfriendly idea coming from a candidate who wants to be Australian leader,” Siddiq told Australian Associated Press.

“That idea shows how he sees things as (an) Australian politician on Indonesia regarding people smuggling. Don’t look at us, Indonesia, like we want this people smuggling.

“This is really a crazy idea, unfriendly, derogatory and it shows lack of understanding in this matter.”

—ooo—

 

Vale Bill Peach

27 Tuesday Aug 2013

Posted by Therese Trouserzoff in Uncategorized

≈ 7 Comments

Tags

Bill Peach, TDT, This Day Tonight

MOR-bill-peach-this-day-20130827114626309924-620x349

Bill Peach was part of the landscape of my youth. I grew up with TDT and Bill’s affable and good natured take on the day’s news and current affairs.

Although they may not have yet lain him to rest, I’m wondering whether he’ll be rotating in the ground when he considers the work of the contemporary heirs to his 7:30 time slot, not the least their political coverage.

It’s sad to think he’s gone and his loss adds a fresh reminder to the passing of the years.

Check out the set in this picture – complete with red painted (and chipped edges) plywood desk, thermos flask and Thunderbirds TV monitor.  They don’t make them like that any more.

Bobo or Catofascio – Australia Decides.

24 Saturday Aug 2013

Posted by Therese Trouserzoff in Emmjay, Politics in the Pig's Arms

≈ 33 Comments

Tags

BoBo, Cato fascio, Kevin Abbott

kevonyStory By Emmjay*

The French have much to teach Australia.  They have worked out the sociopolitical landscape and like Bedouins, have struck their social networks and disappeared into the desert night, well before the Kangaroos have hopped into the oasis.

But we are smart marsupials and we have the capacity to learn, if not exactly quickly, at least eventually.

There are two beautifully apt French slang terms that describe our political landscape – and the general state of disrepair of our contemporary political discourse.

“Bobo” is an acronym for “Bourgeois Bohemian” or loosely interpreted – people who talk left but walk right.

“What ?  Is he talking about Kevin?” I hear you ask.

And “Catofascio” refers to “Catholic Fascist” – or someone who talks Catholic but walks even further right.

“No !  Surely he’s not talking about Tony” I hear you protest.

How could the French have seen this coming ?  Is LePen mightier than the sword ?

Will we ever escape this rapidly drying up oasis in such an arid clime ?

OK Australia, start looking for tracks in the sand, and get used to grit in the sandwiches for the foreseeable future.

* Thanks to Maciej for the Informacio

Oh, Christine !

14 Wednesday Aug 2013

Posted by Therese Trouserzoff in Uncategorized

≈ 19 Comments

In a break from the constant politicking, here’s a celebration of the fine art of hyperbolic advertising copy.  FM as long time patrons of the Pig’s Arms know, is a fashionista and she receives this seasonal “newsletter” from Christine’s in Melbourne.

It’s always over the top, but this one is so far over the top it has to be an all time classic.

Read on ! (with our thanks to Christine)

ChristineChristine 1

Libnat Product Endorsement #18 TA BP

13 Tuesday Aug 2013

Posted by Therese Trouserzoff in Uncategorized

≈ 11 Comments

images

This one needs no introduction, I suppository.

A lot of chain lubrication, I guess, but a wise pollie would know what to do with it and would be happy to plug the thing.

Stewart Lee – America

13 Tuesday Aug 2013

Posted by Therese Trouserzoff in Uncategorized

≈ 1 Comment

stewart lee

Note: Video is a bit dodgy at the start sometimes, but bear with it – it started working for me and the dialogue is gold.  There’s a running commentary on what he’s doing while hes doing it, what the audience reaction was – and what it could have been – the different segments of the audience…  and merciless pisstakes on Americans, anti-muslim nutters, the stupidity of modern life, Top Gear, Margaret Thatcher …….

https://www.youtube.com/watch?v=Uj2LcKdRU0o

Over at iView, you can see the whole two hours of this show with no video hassles – it’s unbelievably clever and twists and turns, returning to expand earlier jokes.

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