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Window Dresser's Arms, Pig & Whistle

~ The Home Pub of the Famous Pink Drinks and Trotter's Ale

Window Dresser's Arms, Pig & Whistle

Monthly Archives: February 2014

Going Further South

28 Friday Feb 2014

Posted by Therese Trouserzoff in Algernon, Bands at the Pig's Arms

≈ 22 Comments

Tags

Allman Brother's Band, B52s, Bo Diddley, Buddy Holly and the Crickets, Charlie Daniels Band, elvis presley, Kings of Leon, Little Feat, Lynrd Skynyrd, Marshall Tucker Band, R.E.M., Steve Earle, Stevie Ray Vaughan, Top Petty, ZZ Top

southern rock

Ed’s note: Looks like the Allman Brothers’ Band to me – can’t recognise them without their clothes

Playlist by Algernon

http://www.youtube.com/watch?v=RHsDa9_HSlA

Sweet Home Alabama – Lynyrd Skynyrd

http://www.youtube.com/watch?v=1x28jaeyX2s

Ramblin Man – The Allman Brothers Band

http://www.youtube.com/watch?v=FQ2yXWi0ppw

Losing my Religion – R.E.M.

http://www.youtube.com/watch?v=TsH4CrwExCQ

You don’t know how it feels –Tom Petty

http://www.youtube.com/watch?v=9SOryJvTAGs

Love shack – B52s

http://www.youtube.com/watch?v=ZPBRzwIjgv4

Crossfire  – Stevie Ray Vaughan

http://www.youtube.com/watch?v=1iimWe37jE0

Who do you love – Bo Diddley

http://www.youtube.com/watch?v=ku5UeUT7yIQ

Peggy Sue – Buddy Holly & the Crickets

http://www.youtube.com/watch?v=71fuhzYDeT4

Heartbreak hotel – Elvis Presley

http://www.youtube.com/watch?v=eUDcTLaWJuo

Legs – ZZ Top

http://www.youtube.com/watch?v=FXvoRRMSSGU

Dixie chicken – Little Feat

http://www.youtube.com/watch?v=FgvfRSzmMoU

The devil went down to Georgia – The Charlie Daniels Band

http://www.youtube.com/watch?v=gCXQycyN_Vs

Can’t you See – The Marshall Tucker Band

http://www.youtube.com/watch?v=xvaEJzoaYZk

Copperhead Road – Stevie Earle

http://www.youtube.com/watch?v=NLlOeGeVih4

Everybody Hurts – R.E.M.

http://www.youtube.com/watch?v=RF0HhrwIwp0

Sex on Fire – Kings of Leon

 

 

Australian Pubs

27 Thursday Feb 2014

Posted by Therese Trouserzoff in Sandshoe

≈ 18 Comments

Tags

Bruce Howard, Chloe, Christina Binning Wilson, Flickr, Hero of Waterloo Hotel, Joseph Lefebvre, National Hotel Brisbane, National Library of Australia, Paris Salon, Wrest Point Casino, Young and Jackson Hotel Melbourne

Chloe

By Sandshoe

Chloe is the most famous painting in ‘Australian Pubs’, although there are more famous pubs like, perhaps for Queensland, the National Hotel in Brisbane

http://www.yourbrisbanepastandpresent.com/2010/02/national-hotel.html

http://www.yourbrisbanepastandpresent.com/2010/02/national-hotel.html

that featured with distinction in an enquiry into police corruption in Queensland,  unless it’s The Hero of Waterloo in Sydney,

http://nla.gov.au/nla.pic-vn4361469-v

http://nla.gov.au/nla.pic-vn4361469-v

surely not the Wrest Point Casino in Hobart in Tasmania and so on.

http://nla.gov.au/nla.pic-vn4361338-v

http://nla.gov.au/nla.pic-vn4361338-v

The photos I have linked to were all taken by Bruce Howard, the book’s photographer and mate of the writer, Melbourne journo, John Larkins.  A little research discovered the photos in the book are held by the National Library of Australia and available for viewing on the internet. 

You can link to other views by Bruce Howard if you are interested in following up on this photographer here –   a page of links found by google search using the words ‘bruce howard image National Library of Australia’.

National Library of Australia btw is the largest reference library in Australia and says you have to tell them if you want to publish anything they hold other than for study and research.

C’est la vie. This is a study.

Chloe hangs in Melbourne, Victoria in a pub called Young and Jackson that is opposite Flinders Street Station, as famous as you betcha. Here’s the Station in 2010.

Flinders St Station, Melbourne

Flinders St Station, Melbourne

I recall happy times in that locale for the first time in 1969, 19 years old and meeting a friend there (at the station) who gave me directions he would be standing under the clock reading a newspaper (look out for a trench coat). I couldn’t have been more enchanted and wonder where Max is to catch up for old times’ sake.

You can imagine travellers walking across the road to Young and Jackson that started in 1861 as the Princes Bridge Hotel – news_08_12 – that was renamed in 1875 after the persons who took it on, Henry Young and Thomas Jackson. Max and I did (walk across the road) to put our heads in for an historic glimpse of Chloe.

 The model for Chloe, whose real name was Marie, was said to be 19. 

 As recorded in ‘Australian Pubs’, Chloe was painted in Paris in 1875 by Jules Lefebvre and won the ‘Grand Medal at the Paris Salon‘. If you see on wikipedia a photo of a portrait of a woman with a revealing cleavage and caption claiming it caused a stir at the Salon in 1884, I cannot imagine what the showing of Chloe created.

The painting was purchased by one Melbourne Doctor, Thomas Fitzgerald and bought for the Hotel in 1908 for 800 pounds.

 Anybody interested to read more about the painting, can find a history here.

Here is a wikipedia link to the artist.

‘Australian Pubs’ was published in 1973. I picked it up for a dollar at a Friends of the Library book sale recently in Adelaide. The significance of the painting on the cover could only be in my thinking – apart from the excellent quality of the photograph – evidence of the Australia-wide resistance in the 1960s and 1970s by artists against a pernicious conservatism, but corruption that publicised gatherings of artists and philosophers in Australia as anti-social and dangerous although especially if grouped around the peace movement.  Attempts using the least evidence of nudity or implication in art to bring ‘persons of interest’ into law courts on charges of moral offence allegedly caused by works of art was a standard ploy.

 Be that maybe motivation of editorial choice, the first sentence is ‘This has been thirsty work’.  The flyleaf of the front cover describes the book as ‘the result of a 25,000-mile pub crawl’.

  The text is very well written and the photos excellent that illustrate 86 hotels in all – if my counting is right as the index is not numbered.

Beautifully edited.

’Australian Pubs’ – text by John Larkins – photographs by Bruce Howard – published by Rigby – First edition 1973 and reprinted each year to this edition 1976.

FOOTNOTE:
Published. orig. at Blipfoto by Kangaroo  Friday  21 February, 2014
Sandshoe has been Kangaroo at the social media photography site, Blipfoto, since May of 2013 a.k.a. Kanga, Roo, Kay, K, and as Christina, sometimes by her full name. She says:-
I have a Blipland friend who is “Shoe”. I restrict my handle to Kangaroo as a social courtesy, but have made it known I am also Sandshoe a.k.a.”Shoe” at the Pigs Arms. I have written about Blipfoto before for the Pigs Arms when I was far less experienced a photographer and commenter.

The principle is upload a photo a day. 170 countries are represented to date on blipfoto and there have been 22 milion shared comments, those increasing as we think about it.

I have uploaded 280 images and comment on a round of photographers’ ‘blips’ most days. My own network extends across the countries of Scotland, England, Ireland, Portugal, South Africa, Sri Lanka, Singapore, Japan, Taiwan, Hong Kong, the United Arab Emirates, America, Canada, New Zealand; at least 6 blippers I know of since I joined Blipfoto have embarked on strenuous travel through Europe, Italy, France, Greece and Asia while some travel between countries every day in the course of their employment.

I am currently following a blipper’s journey through Russia. Australian blippers are all over, including who live on the same railway line and surrounding districts. I write some poetry as reply to poetry, especially sometimes write prose.  Some blippers write very lengthy diaries based on their personal interests, sometimes their research and professional interests, some DJ and others only upload a photo. Some blippers meet socially, others team up for photographic projects. Professional photographers and amateurs alike meet at Blipfoto.

VIVIENNE’s Food and Wildlife

23 Sunday Feb 2014

Posted by Therese Trouserzoff in Vivienne

≈ 79 Comments

Tags

bunnies, chicken curry, fox, lamb kebabs, magpies, prawn cocktail, prawns, satays, Spicy prawns, tiger prawns, tomatoes

PrawnsSpicy prawns – raw tiger prawns cooked a bit more until legs are crisp.  Finger licking good.

Kebabs Kebabs –  quick and easy.  Large cubes of lamb from the leg or oyster blade beef marinated with a little olive oil, salt, garlic, lemon, oregano and paprika.  The paprika makes everything stick nicely.   Cook under grill.

Chicken Curry My ‘regular’ chicken curry.  Photo misses the papadums in another big bowl.

Satays

Malay satays.  Done with lamb and cooked over coals.  Marinated for 1-2  days.  Plan ahead dish.

prawn cocktail My prawn cocktail.  Old fashioned iceberg lettuce at the bottom and cut up prawns into thirds to make a mouthful.  Homemade dressing.

tomatoes

Some of the tomatoes from this season – it’s a mix of heritage and more regular varieties.  They didn’t grow as big as they should have but tasted wonderful.  Still picking and eating.

BunniesAfter a bunny shoot one night.  Not exactly wild life – very much dead.

FoxA deceased fox.  We have had two wandering through the property for months.  Finally got one.  A friend has tanned the skin.

MagpiesKeeping the water up to our magpie family. They’re all fine and well.

Underground Men

21 Friday Feb 2014

Posted by Therese Trouserzoff in Neville Cole

≈ 21 Comments

Tags

Dostoyevsky, Hemingway, Neville Cole, Underground Men

Fyodor Dostoyevsky, 1879

Story by Neville Cole

My latest project is The Underground Men, an informal band of literary brothers led by the original Underground Man, Fyodor Dostoyevsky. The Underground Men are willing to serve just about any intent or purpose for a nominal fee

 

Ernest Hemingway

Ernest Hemingway

Here follows the first meeting between Dostoyevsky and Hemingway during which they discuss matters of the heart.

What is LOVE, Mr. Hemingway?

An uppish fellow named Hemingway came by my office today. I could not endure him. He was earnest enough but simply would not be humble. He was: “just up from the Keys and soon was bound for Cuba,” he said. He carried with him a typewriter with which he punctuated his sentences by clanking its keys in a disgusting way.  He was, he noted with smug glee, a writer of some artfulness and, much as I hate to add, displayed a rugged charm that many (I’m sure) find intoxicating.

I decided to probe him relentlessly OUT OF SPITE. For I sensed our interaction had turned and I was now on trial, not he. He paraded the room, clanking those damn keys (a ROYAL typewriter, no surprise) while I hunkered in the corner behind my desk, taunting myself with the spiteful and useless consolation that an intelligent man cannot become anything seriously, and it is only the fool who becomes anything. Yes, a man in this century must and morally ought to be pre-eminently a characterless creature; a man of character, an active man is pre-eminently a limited creature. That is my conviction of fifty years. I am fifty years old now, and you know fifty years is a whole lifetime; you know it is extreme old age. To live longer than fifty years is bad manners, is vulgar, immoral. Who does live beyond fifty? Answer that sincerely and honestly I will tell you who do: fools and worthless fellows. I tell all old men that to their face, all these venerable old men, all these silver-haired and reverend seniors! I tell the whole world that to its face! I have a right to say so, for I shall go on living to sixty myself. To seventy! To eighty! … Stay, let me take breath.

You imagine no doubt that I want to amuse you. You are mistaken in that, too. I am by no means such a mirthful person as you imagine, or as you may imagine; however, irritated by all this babble (and I feel that you are irritated) and so, begrudgingly, I return to my interview with Hemingway.

“You strike me, sir,” I interrupted him mid-clank, “as a somewhat mercurial, volatile, extreme even, someone who did and still does terrible things.”

“True.” He answered simply, without elaboration bar the raising of one glorious eyebrow. “Yet I have known and married several incredible women, not pushovers, independent, feisty, fearless and clever and each one tolerated my behavior, my wandering eye and my forever fondling hands. If I had been such a monster all the time, I don’t think any would have stuck around.

Hemingway and Jean

Hemingway and Jean

Such confidence! Such boasts! Yet, this was no veneer, gentleman. I cannot exaggerate the incredible depths of his charisma and he was, of course, jaw-droppingly handsome to boot.

“Sir,” I finally interjected. “This is all well and good, but The Agency, you understand, has certainly expectations. An Underground Man must have qualifications beyond peer.”

“Ask me your questions,” he said directly, finally setting aside his typewriter, “I tell no lies. Lies are for men who have never had to fight off their last breath. Lies are for those who will not stand before the charging bull. The man who has killed the lion knows the only truth there is. Only he will not lie.”

“Fine,” I grumbled. “I get the point. You are, it is clear, a man of words and letters. That is good. Our clients are more in love with words than money or looks. Why sir! They are more in love with words than life. But words… (I asked this ONLY to try and catch him up) Don’t you find words have their limit? What more can you offer a woman of means than words?”

“NO!” Hemingway bellowed like a bull elephant struck a heavy blow. He instantly pulled himself to his full height and began to pace the floor with heavy, crushing steps his eyes blood red and his fist pounding any piece of furniture that dared cross his circuitous path.

“Words are the only means,” he cried. “You see, a conversation with a woman is like moves of a chess game in which you must be careful not to stare and not to look away. If she’s angry, you can’t tell her to calm down or else she will scream louder; if she’s depressed, you can’t tell her to cheer up or else she will cry harder. If she’s anything besides angry or depressed, you’re not speaking with a woman. (In which case: congratulations.) And if you suggest a solution to whatever inconsequentiality has vexed her now—because you’re capable of logic—she’ll just go crazier, and then neglect to thank you when your brilliant fix works. Because she doesn’t want you to solve her problems; she wants you to validate her invalid emotions. She doesn’t want to hear your voice of reason; she wants to hear her voice complaining, and wants to make it the soundtrack of your life. To hell with women, anyway. If there’s one thing I hate it’s bullshit. And women exhale bullshit like men exhale carbon dioxide. I won’t put up with bullshit. When I’m with a woman I lay it out straight. Take off your pants, baby, I say. We’re all friends here. Let me tell you something: I was a perfect husband to my wives. Aside from cheating on them in quick succession. And, uh, slapping one. But like I like to say at the end of a first date: I didn’t want to kiss you goodbye — that’s the trouble — I want to kiss you good night — and there’s a lot of difference.”

“You have a highly original view of love,” I noted finally after he stopped pacing but then I held my tongue for I could see he was still talking but quietly now, almost reverently:

“I believe that in love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.”

“Sir,” I said, when I could see that he had no more in him to spare. “Welcome to the Underground Men.”

You can follow more tales of the Underground Men at -iamasickman.wordpress.com

Ambush Part 2

20 Thursday Feb 2014

Posted by Mark in Mark

≈ 93 Comments

Tags

Bad Company, Dire Straits, Free, Hung One On, Jimi Hendrix, Led Zeppelin, Peral Jam, Rolling Stones, ZZ Top

Image

Story by the Great Hung One On and Digital Mischief by Warrigal Mirriyuula

Hung here again. When you play in a pub on a Sunday night and everyone wears a leather jacket the music needs to suit. The crowd arrived irrespective of our music and I eventually realised that the only way to live through the night was to play this. Second bracket.

http://www.youtube.com/watch?v=fjwWjx7Cw8I

Jimi Hendrix – Purple Haze

http://www.youtube.com/watch?v=Vppbdf-qtGU

ZZ Top – La Grange

http://www.youtube.com/watch?v=6GoQsTF42M8

Angels – After the Rain

http://www.youtube.com/watch?v=c1Hb9ABpyts

Led Zeppelin – Rock and Roll

http://www.youtube.com/watch?v=siMFORx8uO8

Free – Alright Now

http://www.youtube.com/watch?v=LLSAGnHNqGc

Free – Wishing Well

http://www.youtube.com/watch?v=z4sKdiWlLR8

Bad Company –  Can’t get enough of your Love

http://www.youtube.com/watch?v=tYGITmvnwhw

Rolling Stones – Jumping Jack Flash

http://www.youtube.com/watch?v=xfqzQKt9UeA

Pearl Jam – Rearviewmirror

http://www.youtube.com/watch?v=8Pa9x9fZBtY

Dire Straits – Sultans of Swing

The Connection – Well you have heard of the six points of separation, well my last band had something similar. So I met my wife, Tutu, at the hospital were we trained in NSW. We had a great mutual friend, Kathy, who also did her training with us but came from Melbourne. For some reason she and her new husband, Bill, decided to move to Adelaide.

Prior to getting married Tutu had travelled to the UK and became friends with a girl from Adelaide, Kate, so putting the two together we planned a trip to Adelaide to catch up with our friends. Unfortunately I was involved in a serious motor bike accident that really set us back but after another year or so we set off. Well we had a ball. Kathy and Bill became our best mates and Tutu and I moved permanently to Adelaide to live. Kate let us board with her till we got on our feet, housing was cheap and there was plenty of work.

One day Bill said that he could play guitar and of course I said I could play drums. Now Bill was in the car trade and knew a bloke called Simon who played guitar so we teamed up for a jam. After many line up changes we joined with the Wilson brothers, who Bill met in a bar and we had our first band. Problem for me was the accident had interfered with my drumming technique and eventually I quit the band and sold my drums. Isn’t this interesting folks! (Ed’s note:  Yes, it IS, Hung.  Now get on with it J)

I missed music bad. Tutu had an old guitar that her mum wanted to get rid of however Tutu could play piano but wasn’t interested in the guitar so she said you learn. So I did, at first through WEA, then just by buying books until I met a young Greek bloke called George who really taught me how to play. Using motivational techniques and many hours of practice I became really good.

One day Tutu and I were out dining with friends when Simon walked through the door, just like it was meant to happen. We hadn’t seen each other for 10 years or more and started jamming together but this time as guitarists. We put a song list together and invited some folks to join in. None fitted until one day Simon suggested Tony, his ex-brother-in-law and our old mate Bill, who knew John, a drummer, from another band.

Trouble was we needed a bass player. No one knew one but I had been given a bass by a friend who said that he could never get his head around it. So I became the bassist, Bill sang, John drummed, Tony played lead and Simon rhythm except for the Dire Straits. So Ambush was formed.

The connection was: Wollongong, nursing, Melbourne, cars, Adelaide, in laws and best friends. Okay then seven points of separation. Sheesh!

 

 

Sybil Lupp 1916-1994

19 Wednesday Feb 2014

Posted by Therese Trouserzoff in The Other Side of the Carpark, The Sports Bar

≈ 9 Comments

Tags

E-Type, Jaguar Cars, MG cars, Sybil Lupp

A treasure discovered by Sandshoe

Those Fracking Bastards

18 Tuesday Feb 2014

Posted by Therese Trouserzoff in Emmjay, Politics in the Pig's Arms

≈ 18 Comments

Tags

blackmail, coal seam gas, CSG, fracking, natural gas

828793-coal-seam-gas-protest

Rant by Therese Trouserzoff

So we’ve heard this crap before.  Unless governments roll over and allow coal seam gas (CSG) exploration and exploitation wherever and whenever these cretins want, they will wreak havoc amongst local consumers.

The latest piece of blackmail is an application to increase the domestic price of natural gas by 20% – and the justification is that the massive new finds are ‘for the export market’ and there will be a shortage locally.

Fuck these people.  The natural resources belong to Australia, and any government that allows some piss head energy company to hold it to ransom, threatening to send local businesses to the wall in the name of export commitments, ought to be thrown down a disused well and burnt.

We have gas hot water and cooking.  Not a problem to install solar hot water and switch to electric cooking.

While I accept that in general, no business would want to sell at lower prices into a local market when there is a higher return available internationally, there is a point where national interest and preventing environmental degradation have to take precedence as the determinants of corporate and social action.

So, just as the Australian government told Coca Cola Amatil to pull its head in over their  SPC Ardmona blackmail attempt, it’s time for ALL Australian jurisdictions to insist on actual serious control over energy extraction.  Simple solution – resources tax on the energy producers and subsidies for disadvantaged Australian consumers.  Wait – didn’t a previous government talk about something like this ?  Isn’t this about looking after your own family before thinking about screwing the rest of the world ?

If there was a natural prime target to attack hateful corporate bastardry, fracking CSG companies would have to be at the top of the list.  All power to the farmers and local action groups.  Go hard against these fracking mongrel bastards.

The Curse of Cassandra

17 Monday Feb 2014

Posted by Therese Trouserzoff in Lehan Winifred Ramsay

≈ 53 Comments

Tags

Cassandra, future patterns, Madness

The Afternoon

The Afternoon

Painting and Story by Lehan Winifred Ramsay

I am thinking that it is very bold of me to venture into the domain of myth as we have amongst us Atomou, a true scholar. But the public debate – one with two sides with no ears – last week moved back in to mental health and this is a place I have some curiousity about. I wish I had kept a copy of one comment I posted that was knocked back, as it was I thought quite good but I will try to return to that moment here.

The “mad” were once considered seers. Not all of them, I’m sure, but some were. They appeared to be able to see into the future. Cassandra was given the gift of being able to see into the future, perhaps by Apollo. But then in an act of total spite he cursed her with small print – that nobody would ever believe her.

It appears to me that mental illness can carry with it something that resembles Cassandra’s gift. It is a sensitivity to pattern. Is mental illness a “bad fit” – that the individual somehow comes into conflict with their environment or community and for whatever reason is unable to conform to their thinking and action? For a multitude of possible reasons – that they are simply incompatible, that the individual has some unacceptable behaviours, that the environment or community has some unacceptable behaviours.

Perhaps sometimes merely through belief that they are correct and do not accept correction. There is either a great necessity to evade correction to remain safe or a smaller necessity to evade correction to remain convinced of that correctness. For whatever reason they become aware “of the air”, as they say in Japan. They develop higher skills in pattern recognition. Those patterns being patterns of behaviours or actions that are unfolding. They learn to recognize how things happen, which patterns lead to good results, which lead to unfavourable ones. And they learn how to head them off.

It’s quite a skill, when you think about it. It’s also a skill everyone has and uses. But for a person who has developed a conflict with their environment, this skill is highly sensitized and particularly acute. It’s acute because it is detecting developments that could be dangerous to the individual ego or actual physical safety. It’s acute because it is aimed at preventing things from happening. Because this individual’s sensor is far more sensitive than those around them, they are seeing things developing much earlier.

Firstly this means that their reaction to those emerging patterns is going to seem abnormal and far too strong for what is actually happening. But secondly, they could be wrong. The patterns that they are seeing may not develop in the way they are expecting. And their reaction to those patterns may in fact be part of the pattern itself. And importantly, it might be that the more unsettled the person is, the greater the selection of data from which those patterns are forming. This means that they might be recognizing a pattern from something else, so the level of distress is an important factor in determining the accuracy of those patterns.

I’ve experienced the recognition of this in myself. First I began to feel stressed by some interactions, even though on the face of it they appeared not to be particularly serious. Next I found myself in a couple of situations in which my reaction surprised the people around me and also myself. I felt a little ashamed, but also curious. This has happened before, what is this, I thought to myself, and spent a lot of time going over everything that was going on around me.

What had happened was this. There was an initial interaction. It was quite innocuous. But some time before that the same persons had initiated a very similar interaction, once or on multiple occasions, and each of those interactions had led in the same way to an unfavourable outcome. My response was to the pattern, but the strength of my response was to all of those previous outcomes. I was also signalling that I would not allow this strategy to happen. The strategy appeared to be a kind of manipulative use of socially acceptable interaction but it appeared in hindsight that they were actually using that socially acceptable interaction as a form of manipulation to achieve an outcome that was not really acceptable to me at all.

I suppose I had signalled to the other person that I would not allow the strategy. But to the onlookers I had signalled something else. I had signalled that I was over-reacting. If they were surprised by this it is likely that they were not aware of the interaction at all. It was not a group strategy, it was an individual strategy. And it was helpful to know that but that too came at a cost: they were now likely to distrust my future reactions. This is, I suppose, the curse of the “mad” – that even a response is tricky. The response is to the ongoing interaction, not to the actual dialogue or action. That ongoing interaction cannot be seen by those around it if it has taken place over time. So we are talking about a time-based problem.

Can the “mad” see into the future? In a way, perhaps they can. Perhaps though the real curse is that they cannot predict that that particular possible future is the one that will happen with any real certainty. We cannot know how their knowledge might contribute to an unfavourable result. But that anyone knows anything at all about what is unfolding is perhaps an advantage to us. I believe that it may be to our advantage to return to a point of listening to madness, rather than trying to cure it.

This does not mean: to give up our interventions. It means: to pay attention. It may be trying to tell us something. Patterns of individual communication are strongly affected by our environment – and I am particularly thinking about our media and our public dialogues.

 

TalHotBlond

16 Sunday Feb 2014

Posted by Therese Trouserzoff in Emmjay

≈ 14 Comments

Tags

internet dating, TalHotBlond, True Crime

TallHotBlond

Tip-off by Emmjay

So I have a damned cold (typical for me in hot, sticky humid Sydney Februaries – with lots of exposure to viral tubes aka buses and trains).

Couldn’t sleep.

Watched this truly amazing iView documentary on the ABC.  Absolutely chilling and a total must-see.  It expires in 3 days so rip over there and watch it !

NB ABC iView is apparently only watchable from Australia – but the doco is more widely available – google it – it’s available as a Vimeo movie and more than worth the trouble.

http://www.abc.net.au/iview/?WT.srch=1&WT.mc_id=Corp_TV-iview#/view/81351195

Climbing Aboard the Orient Expression.

15 Saturday Feb 2014

Posted by Therese Trouserzoff in Emmjay

≈ 29 Comments

Tags

Bathurst, calligrapgy, Chinese painting, Japanese paintings, oriental art, Richard Jones architect circa 1880-1895, Victorian home renovation, Victorian Italianate house

Cambria, 1890

Cambria, 1890

Story and Photograph by Emmjay

Anyone familiar with the plethora of antique ‘auction’ shows on TV will be aware that many people in the west have long held a fascination for things Chinese, Japanese or more broadly ‘oriental’.  And this fascination has found its expression in collections of pottery, ceramic sculpture, carved jade and ivory, scrolls, photography, calligraphy and other paintings.

And so it happened in the long running renovation of the family home – a Victorian Italianate grand terrace (I hesitate to call the pile a “mansion” – it lacks the massive number of rooms expected in the title, although the abode has generous proportions typical of middle class Australia urban homes in the period before the 1890 depression – that FM and I considered how we would decorate the renovated home.

“Cambria” – for she has a name – and always has had – was built in 1890 by one Richard Jones (no relation to the PA habitué, Emmjay).  Richard built the pile in 1890 just before the depression set in – when the poms turned off the credit so necessary to grow a fledgling nation.  Richard was an architect, allegedly responsible for the design of some of the lovely sandstone buildings in Bathurst including the police station and the courthouse.

Richard apparently went broke and sadly passed away in 1895, but he had the forethought to have signed the title over to his wife Elizabeth before his business failed and so the home stayed in the family despite his bankruptcy.  Elizabeth lived here alone until some time in the 1950s and when she died, having no heir, the property passed on to the State of NSW – who turned it into five flats in a boarding house – a half way house for prisoners who had served their time.  Needless to say this was not Cambria’s finest hour and many of the original features – like beautiful crenelated cornices were stripped and discarded.  And a lot of dodgy plumbing, electricals and kitchenette type facilities were built in.

The State decided to sell off the property in the late 1980s and some get rich quick developers of a Mediterranean extraction ripped out some of the offending structures and replaced them with trademark concrete everything including the staircase and the whole backyard – hoping for a quick sale.

FM bought the place in 1994 and set to work on what has been a labour of love – in two massive campaigns – then and now.  She was responsible for removing fibro lean-tos, restoring what could be saved of the façade (allowing for the now art deco door and bay windows on the ground floor), building a new kitchen / family room / laundry / third bathroom and for ripping up the third largest concrete lawn in the known universe.

FM studied horticulture and unaided, planted what is now the best inner city rainforest in Sydney.

Last year FM and Emmjay embarked on the the big bad new renovation – putting a civilised finish on the solid old bones, building in an attic with stairs up to the tower (Richard Jones was also an amateur astronomer who used to set up his telescope up there), arresting the rising damp – which is an enormously disruptive job involving the removal of skirting boards and plaster up to about four feet up the walls, injecting barrier compound and then rendering and replastering,, sealing and repainting) and fully replacing the leaky roof.  As many PA patrons must know, there has been so much paint applied to Cambria that the local vendors gave Emmjay a trade card, a permanent discount and free T-shirts.

So now, as the major jobs (with the exception of renovating bathroom 2 upstairs and the installation of a chunky 4.7kw of solar power – 20 panels) have been completed, small matters like what floor coverings, what soft furnishings and art works might best suit the house and the tastes of we occupants.

FM went off to the local community college and did a course on interior decorating and we have benefitted hugely from her experience and professional support and advice.  Some research suggested that Victorians (the era, not restricted to the state) were fond of things oriental and so we started to study contemporary Chinese, Japanese, Malay, Indonesian and Burmese interior design.

This has co-incided with me beginning to take a more serious interest in ~ and studying things Buddhist – especially as Buddhism is more conventionally understood and taught in the West.  In Inner West cyberia, we have a choice of studying and practising Tibetan, Thai and Japanese (Zen) traditions – or some of each.

We enrolled in a class for Chinese painting and calligraphy and enjoy the weekly sessions of having a go at making marks that are sometimes correct according to tradition and even more startling and rarely, actually pleasant in composition; for me, more by pure accident than intent, although FM exudes capability and artistic sensitivity.

Standing Buddha in lacquered bronze.

Standing Buddha in lacquered bronze.

We have been surprised and often delighted by how well some acquired Asian art fits in with the Victorian spaces and how well the house accepts FM’s long held Persian carpets and the newly acquired 3X4 metre ancient monsters now in the bedroom and the office.

And we have become the bane of local sellers of Asian furniture and art works.  Which brings me to the edge of the next story – Bruce, Odette and the Calligraphy Brush Pot.

to be continued soon….

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